NYC Calendar of Events – New York City

New York City Calendar of Upcoming Events, Happenings and More

Also visit the following for events which may not be listed here:
NYC Street Fairs / Festivals  |  Free/Cheap Concerts Listings |  Newsletter Signup 
Got an Event to Submit? Click on the Green ‘Post Your Event’ Button below.
Please, anything that can’t be verified by another online listing elsewhere will not be accepted. Plus, do not submit for profit store sales events or anything like that. They’ll get rejected as well.

Sep
12
Thu
2019
Photoville 2019 in Brooklyn Bridge Park
Sep 12 – Sep 22 all-day

Photoville 2019 in Brooklyn Bridge Park

September 12-15

September 19-22

At Brookyn Bridge Plaza, Under the Bridge in DUMBO

Located in Brooklyn Bridge Park in DUMBO beneath the majestic span of the Brooklyn Bridge— will be transformed into an immersive photography village populated by 90+ shipping containers repurposed into galleries.

In store will be:

  • Nighttime Screenings & Events
  • Journalists Under Fire
  • Container Exhibitions
  • Outdoor Installations
  • Emergi-Cubes
  • Freelance Safety Clinic
  • Workshops & Guided Tours
  • Education & Teacher Development Day
  • Leica Pavilion
  • Adobe Space
  • Special Events & Pop-ups

The following comes courtesy of their official newsletter:

“”We are proud and excited to announce programming for Photoville NYC2019, founded and produced by United Photo Industries!

After an incredible festival earlier this year in partnership with the Annenberg Space for Photography in Los Angeles, our team is back on the East Coast, refreshed and inspired by our West Coast debut.

Photoville NYC will return for its eighth year from September 12-22, 2019, beneath the majestic Brooklyn Bridge in our gorgeous home at Brooklyn Bridge Park. Our team of Photo-carnies will once again transform the Brooklyn Bridge Plaza into an immersive photography village populated by over 80 exhibitions in 60+ shipping containers.

We absolutely could not pull off Photoville without all of our partners and artists; our host and founding partner Brooklyn Bridge Park; our co-founding partners Two Trees Management, and Photo District News. Thank you for being there from the very beginning. Hats off to our friends and marquee partners Leica CameraSt. Ann’s WarehousePhotoWings, the DUMBO Business Improvement District, and our partners in crime, Smorgasburg! “”

Have a look at some videos posted from previous years’ events:

B&H Photography Podcast | Photoville 2018

Published by B&H Photo Video

 

Photoville 2018 Alan Eglinton

Published by extraordinary project Mug Publishing

 

 

 

Sep
24
Tue
2019
NYC SummerStage 2019 Calendar
Sep 24 all-day
NYC SummerStage 2019 Calendar

NYC City Parks Foundation’s 2019 SummerStage Events Calendar

Please be sure to keep on top of whatever item you might be interested in by visiting the official site to learn about changes in scheduling &/or last minute cancellations and such. Also, the City Parks Foundation, now entering its 30th anniversary, is a non-profit organization which depends on donations as well as through funds gained through memberships offered.

OPENING NIGHT: EMILY KING / DURAND JONES AND THE INDICATIONS / MADISON MCFERRIN / DJ REBORN

Saturday, June 1, 2019
6:30 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ONE NATION UNDER A GROOVE FAREWELL TOUR 2019: GEORGE CLINTON & PARLIAMENT FUNKADELIC W/ GALACTIC, FISHBONE, DUMPSTAPHUNK & MISS VELVET

Presented by Sony Presents the Blue Note Jazz Festival
Tuesday, June 4, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan

~~~

PARQUET COURTS / SACHIKO KANENOBU / ARP / PRINCE OF QUEENS

Saturday, June 8, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KES THE BAND

Tuesday, June 11, 20197:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Coney Island
Ford Ampitheater at Coney Island Boardwalk, 3052 W 21st St, Brooklyn

~~~

THE NEW YORK CANTORS WITH SPECIAL GUESTS SHULEM AND FRANK LONDON CONDUCTED BY ZALMEN MLOTEK PRESENTED BY THE NATIONAL YIDDISH THEATRE FOLKSBIENE

Wednesday, June 12, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BIG FREEDIA / BATEKOO / MIKEQ X QWEEN BEAT / GINA YASHERE

Thursday, June 13, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

DEJOHNETTE – COLTRANE – GARRISON TRIO / BRANDEE YOUNGER

In association with Sony Presents Blue Note Jazz Festival
Saturday, June 15, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JAZZ ON THE CUSP HOSTED BY NATE CHINEN

Saturday, June 15, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LES BALLETS TROCKADERO DE MONTE CARLO

Wednesday, June 19, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

REVOLUTIONARIES EN POINTE: THE TROCKS CELEBRATE STONEWALL 50

Wednesday, June 19, 2019
6:00 pm – 7:00 pm
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SOLD OUT – KHRUANGBIN WITH CONNAN MOCKASIN AND KIKAGAKU MOYO

Produced by The Bowery Presents
Thursday, June 20, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

20TH ANNIVERSARY OF INTERNAL AFFAIRS: PHAROAHE MONCH AND FRIENDS / MISS MOCHA SUNFLOWER THE RHYTHM GODDESS

Thursday, June 20, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

RONALD K. BROWN/ EVIDENCE, A DANCE COMPANY

Friday, June 21, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

THE AUSSIE BBQ: A.B. ORIGINAL / HERMITUDE / SAN CISCO / THE TESKEY BROTHERS / TKAY MAIDZA / WAAX

In Association With Sounds Australia, the Australian Consul-General, NY and the Australia Council for the Arts
Saturday, June 22, 2019
2:00 pm – 7:00 pm (Doors open 1:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EVERYDAY PEOPLE & SPECIAL GUESTS

Saturday, June 22, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

ONLY IN QUEENS FESTIVAL: SHEILA E. / MUSIQ SOULCHILD

Sunday, June 23, 2019
5:00 pm – 8:00 pm (Doors open 4:00 pm)
Free
Flushing Meadows Corona Park
Queens, NY

~~~

FÊTE DE LA MUSIQUE: ZDAR FROM CASSIUS / LES NEGRESSES VERTES

Sunday, June 23, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JESSE ROYAL / KABAKA PYRAMID / MAX GLAZER

Sunday, June 23, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

JAPANESE BREAKFAST / HATCHIE / HOUSE OF NOD

Monday, June 24, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ALVVAYS/ THE COURTNEYS / ELLIS

In association with the Consulate General of Canada
Wednesday, June 26, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BOOT CAMP BBQ: BLACK MOON AND SMIF N WESSUN

Thursday, June 27, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

YOUNG M.A/ FUNK FLEX

Friday, June 28, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

JONATHAN MCREYNOLDS

Saturday, June 29, 2019
7:00 pm – 9:00 pm
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

BUIKA / A-WA / BLICK BASSY / DJ TARA

Sunday, June 30, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MIGHTY SPARROW / CASYM STEEL ORCHESTRA

Friday, July 5, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11413

~~~

RALPH MCDANIELS SOUL & FUNK JAM FT. BLUE MAGIC AND DJ HOLLYWOOD

Saturday, July 6, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11414

~~~

TABOU COMBO / LAKOU MIZIK/ DJ SABINE BLAIZIN

Sunday, July 7, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Springfield Park
Springfield Park, Queens, NY 11415

~~~

MR EAZI / EFYA / BLINKY BILL / DJ MAHOGANY

Sunday, July 7, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

XIMENA SARIÑANA/ ILE / NATHY PELUSO

In association with LAMC
Wednesday, July 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ATERCIOPELADOS / DIAMANTE ELÉCTRICO / DJ DAYANSITA

In association with LAMC
Thursday, July 11, 2019
7:00 pm – 9:00 pm
Free
SummerStage, Queensbridge Park
Queensbridge Park, Long Island City, NY 11101

~~~

A PALO SECO

In association with LAMC
Friday, July 12, 2019
7:00 pm – 9:00 pm
Free
Queensbridge Park
Vernon Blvd, Long Island City, NY 11101

~~~

LEÓN GIECO / KEVIN JOHANSEN / EL MATÓ A UN POLICÍA MOTORIZADO / SILVINA MORENO / JUAN INGARAMO

In association with Cosquin Rock and LAMC
Saturday, July 13, 2019
5:00 pm – 9:00 pm (Doors open 4:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11103

~~~

20TH ANNIVERSARY LATIN GRAMMY’S CELEBRATION

In association with LAMC
Saturday, July 13, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

AVERY*SUNSHINE

Sunday, July 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11104

~~~

FAMILY DAY: RAILROAD EARTH / RANKY TANKY

Sunday, July 14, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MERCE CUNNINGHAM: SUMMERCOOL FEAT STEPHEN PETRONIO COMPANY/ MELISSA TOOGOOD / CALVIN ROYAL III / A-Y/DANCERS WITH GUEST CURATION BY CATHERINE THARIN

In Association with the Cunningham Centennial Celebrations
Wednesday, July 17, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CUNNINGHAM DANCE WORKSHOP

Wednesday, July 17, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LISA LISA / COVER GIRLS / DJ LUCY EUCLID / VINNIE MEDUGNO (HOST)

Thursday, July 18, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

JODY WATLEY / MOBILE MONDAYS!

Friday, July 19, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

ANA TIJOUX / L’UNICORNS / DJ SHAME HOSTED BY JEN AND MAGIE

In Association with La Isla Bonita
Saturday, July 20, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
Staten Island, NY 10310

~~~

FORCE MDS AND U.M.C’S WITH RED ALERT / DJ XCEL & DJ THRILLA HOSTED BY TARIQ

Sunday, July 21, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

KURT VILE AND THE VIOLATORS WITH DINOSAUR JR. AND CATE LE BON

Produced by The Bowery Presents
Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

GRAND WIZZARD THEODORE & UPTOWN VINYL SUPREME W/ DJ PERLY, THE B.O.O.M. (BRONX ORGANIC ORCHESTRA MELINATED), AND THE BOOGIE DOWN ALL-STARS

Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

LALO RODRIGUEZ / LOS HERMANOS MORENO / DJ LUCHO

Friday, July 26, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

FELA! THE CONCERT

Friday, July 26, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Coney Island
Ford Amphitheater at Coney Island Boardwalk, Brooklyn, NY 11224

~~~

SLICK RICK / DJ CHUCK CHILLOUT

Saturday, July 27, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

ALCEU VALENÇA / CORDEL DO FOGO ENCANTADO / LABAQ / DJ GRACE KELLY

In Association with Brasil Summerfest
Saturday, July 27, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BRAZIL: THE TRANSFORMING POWER OF MUSIC TO OVERCOME TIMES OF CRISIS

Saturday, July 27, 2019
4:00 pm – 5:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE TEDSMOOTH OLDSCHOOL JAM: FREESTYLE EDITION WITH CYNTHIA, LISETTE MELENDEZ, GEORGE LAMOND / DJS EDDIE B SWIFT, G-BO THE PRO, BREAKBEAT LOU & TEDSMOOTH/ HOSTED BY MASTER Z

Sunday, July 28, 2019
6:00 pm – 9:00 pm
Free
Soundview Park
The Bronx, NY 10473

~~~

MAGIC SYSTEM / SMARTY / SELMA UAMUSSE / DJ BIRANE

Sunday, July 28, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

RAY DE LA PAZ / EDGAR JOEL AND ANTHONY COLON / DJ KAMALA

Wednesday, July 31, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

YOUTH MATINEE: FELA! THE CONCERT

Wednesday, July 31, 2019
11:00 am – 12:00 pm (Doors open 10:00 am)
Free
SummerStage, Central Park
Rumsey Playfield, E 71st St, New York, NY 10021

~~~

FELA! THE CONCERT

Wednesday, July 31, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SAMINI / EFYA

Thursday, August 1, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

GARIFUNA COLLECTIVE/ WABAFU GARIFUNA DANCE THEATER

Friday, August 2, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

EPMD 30TH ANNIVERSARY “UNFINISHED BUSINESS” / FUNK FLEX B-DAY CELEBRATION

Saturday, August 3, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

TAIWANESE WAVES: WAN FANG / TIZZY BAC / A BAO / 9M88

Saturday, August 3, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CORINNE BAILEY RAE / JOSE JAMES/ DJ NATASHA DIGGS FROM SOUL IN THE HORN

Sunday, August 4, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

WHY AREN’T THERE MORE WOMEN ON FESTIVAL STAGES?

Sunday, August 4, 2019
5:00 pm – 6:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

GUSTER WITH RUBBLEBUCKET

Produced by The Bowery Presents
Thursday, August 8, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

CRUMB/ PHONY PPL / PURR

In Association with DoNYC
Thursday, August 8, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

ELISA MONTE DANCE

Friday, August 9, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

VP RECORDS 40TH ANNIVERSARY: ELEPHANT MAN / JUNIOR REID / ESTELLE / RAGING FYAH

Saturday, August 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MOUNTAIN GOATS

Saturday, August 10, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

LILA DOWNS / LIDO PIMIENTA / DJ RIPLEY

Sunday, August 11, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EDDIE PALMIERI / BABY POWER / DJ SONNI

Sunday, August 11, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

OMAR / NAKHANE / DJ WILDCAT

Wednesday, August 14, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

THE CLARK CENTER 60TH ANNIVERSARY TRIBUTE: GEORGE FAISON UNIVERSAL DANCE EXPERIENCE / 5PLUS ENSEMBLE / DYANE HARVEY-SALAAM / JUEL D. LANE / AMY HALL GARNER DANCES / HSA DANCE ENSEMBLE

In Association with El Barrio ArtSpace
Thursday, August 15, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

BLACK WOODSTOCK 50TH ANNIVERSARY: IGMAR THOMAS / TALIB KWELI / KEYON HARROLD & SPECIAL GUESTS

In association with Moon31 / Future Sounds
Saturday, August 17, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

SELENA FOR SANCTUARY: CUCO / AMBAR LUCID / DJ SVANI & THE SANTUARIO HOUSE BAND WITH MUSIC DIRECTION BY ADRIAN QUESADA

Sunday, August 18, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LA SONORA PONCEÑA / JOSE “EL CANARIO” ALBERTO / DJ LUCHO

Sunday, August 18, 2019
Free
Coney Island
3052 W 21st St, Brooklyn, NY 11224

~~~

THE WAILERS’ JULIAN JUNIOR MARVIN / DJ QUEEN MAJESTY

In Association with DoNYC
Sunday, August 18, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

CARNIVAL OF THE ANIMALS (WORK-IN-PROGRESS EXCERPT) WITH WENDY WHELAN AND MARC BAMUTHI JOSEPH/ FILM – RESTLESS CREATURE: “WENDY WHELAN”

Wednesday, August 21, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE ART OF THE TRANSITION: A CONVERSATION ON NEXT STEPS

Wednesday, August 21, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

HARLEM 100: MWENSO AND THE SHAKES / BRIANNA THOMAS / VUYO SOTASHE / SPECIAL GUEST FRED WESLEY / JAZZMOBILE PRESENTS: WINARD HARPER & JELI POSSE

Friday, August 23, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

DEE DEE BRIDGEWATER / RAVI COLTRANE / QUIANA LYNELL / RECLAMATION: CAMILLE THURMAN, NIKARA WARREN AND BRANDEE YOUNGER

Saturday, August 24, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

LA INDIA / CIMAFUNK / DJ SONNI

Sunday, August 25, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CARL ALLEN’S ART BLAKEY TRIBUTE / GEORGE COLEMAN TRIO / FRED HERSCH / LAKECIA BENJAMIN

Sunday, August 25, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Tompkins Square Park
E 10th St, New York, NY 10009

~~~

THE ORIGINALS

Tuesday, August 27, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KING GIZZARD AND THE LIZARD WIZARD

Produced by The Bowery Presents
Wednesday, August 28, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

TASH SULTANA

Produced by The Bowery Presents
Wednesday, September 4, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE GROWLERS

Produced by The Bowery Presents
Saturday, September 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

MARINA – LOVE + FEAR TOUR

Produced by The Bowery Presents
Monday, September 16, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

BLOC PARTY PERFORMING SILENT ALARM

Produced by The Bowery Presents
Friday, September 20, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE B-52S WITH VERY SPECIAL GUESTS OMD AND BERLIN

Produced by The Bowery Presents
Tuesday, September 24, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

City Parks Foundation’s 30TH ANNIVERSARY GALA

Thursday, September 26, 2019
Priced Tickets
6:30 pm – 10:00 pm
Rumsey Playfield, Central Park

Sep
26
Thu
2019
NYC SummerStage 2019 Calendar
Sep 26 all-day
NYC SummerStage 2019 Calendar

NYC City Parks Foundation’s 2019 SummerStage Events Calendar

Please be sure to keep on top of whatever item you might be interested in by visiting the official site to learn about changes in scheduling &/or last minute cancellations and such. Also, the City Parks Foundation, now entering its 30th anniversary, is a non-profit organization which depends on donations as well as through funds gained through memberships offered.

OPENING NIGHT: EMILY KING / DURAND JONES AND THE INDICATIONS / MADISON MCFERRIN / DJ REBORN

Saturday, June 1, 2019
6:30 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ONE NATION UNDER A GROOVE FAREWELL TOUR 2019: GEORGE CLINTON & PARLIAMENT FUNKADELIC W/ GALACTIC, FISHBONE, DUMPSTAPHUNK & MISS VELVET

Presented by Sony Presents the Blue Note Jazz Festival
Tuesday, June 4, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan

~~~

PARQUET COURTS / SACHIKO KANENOBU / ARP / PRINCE OF QUEENS

Saturday, June 8, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KES THE BAND

Tuesday, June 11, 20197:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Coney Island
Ford Ampitheater at Coney Island Boardwalk, 3052 W 21st St, Brooklyn

~~~

THE NEW YORK CANTORS WITH SPECIAL GUESTS SHULEM AND FRANK LONDON CONDUCTED BY ZALMEN MLOTEK PRESENTED BY THE NATIONAL YIDDISH THEATRE FOLKSBIENE

Wednesday, June 12, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BIG FREEDIA / BATEKOO / MIKEQ X QWEEN BEAT / GINA YASHERE

Thursday, June 13, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

DEJOHNETTE – COLTRANE – GARRISON TRIO / BRANDEE YOUNGER

In association with Sony Presents Blue Note Jazz Festival
Saturday, June 15, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JAZZ ON THE CUSP HOSTED BY NATE CHINEN

Saturday, June 15, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LES BALLETS TROCKADERO DE MONTE CARLO

Wednesday, June 19, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

REVOLUTIONARIES EN POINTE: THE TROCKS CELEBRATE STONEWALL 50

Wednesday, June 19, 2019
6:00 pm – 7:00 pm
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SOLD OUT – KHRUANGBIN WITH CONNAN MOCKASIN AND KIKAGAKU MOYO

Produced by The Bowery Presents
Thursday, June 20, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

20TH ANNIVERSARY OF INTERNAL AFFAIRS: PHAROAHE MONCH AND FRIENDS / MISS MOCHA SUNFLOWER THE RHYTHM GODDESS

Thursday, June 20, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

RONALD K. BROWN/ EVIDENCE, A DANCE COMPANY

Friday, June 21, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

THE AUSSIE BBQ: A.B. ORIGINAL / HERMITUDE / SAN CISCO / THE TESKEY BROTHERS / TKAY MAIDZA / WAAX

In Association With Sounds Australia, the Australian Consul-General, NY and the Australia Council for the Arts
Saturday, June 22, 2019
2:00 pm – 7:00 pm (Doors open 1:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EVERYDAY PEOPLE & SPECIAL GUESTS

Saturday, June 22, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

ONLY IN QUEENS FESTIVAL: SHEILA E. / MUSIQ SOULCHILD

Sunday, June 23, 2019
5:00 pm – 8:00 pm (Doors open 4:00 pm)
Free
Flushing Meadows Corona Park
Queens, NY

~~~

FÊTE DE LA MUSIQUE: ZDAR FROM CASSIUS / LES NEGRESSES VERTES

Sunday, June 23, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JESSE ROYAL / KABAKA PYRAMID / MAX GLAZER

Sunday, June 23, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

JAPANESE BREAKFAST / HATCHIE / HOUSE OF NOD

Monday, June 24, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ALVVAYS/ THE COURTNEYS / ELLIS

In association with the Consulate General of Canada
Wednesday, June 26, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BOOT CAMP BBQ: BLACK MOON AND SMIF N WESSUN

Thursday, June 27, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

YOUNG M.A/ FUNK FLEX

Friday, June 28, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

JONATHAN MCREYNOLDS

Saturday, June 29, 2019
7:00 pm – 9:00 pm
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

BUIKA / A-WA / BLICK BASSY / DJ TARA

Sunday, June 30, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MIGHTY SPARROW / CASYM STEEL ORCHESTRA

Friday, July 5, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11413

~~~

RALPH MCDANIELS SOUL & FUNK JAM FT. BLUE MAGIC AND DJ HOLLYWOOD

Saturday, July 6, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11414

~~~

TABOU COMBO / LAKOU MIZIK/ DJ SABINE BLAIZIN

Sunday, July 7, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Springfield Park
Springfield Park, Queens, NY 11415

~~~

MR EAZI / EFYA / BLINKY BILL / DJ MAHOGANY

Sunday, July 7, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

XIMENA SARIÑANA/ ILE / NATHY PELUSO

In association with LAMC
Wednesday, July 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ATERCIOPELADOS / DIAMANTE ELÉCTRICO / DJ DAYANSITA

In association with LAMC
Thursday, July 11, 2019
7:00 pm – 9:00 pm
Free
SummerStage, Queensbridge Park
Queensbridge Park, Long Island City, NY 11101

~~~

A PALO SECO

In association with LAMC
Friday, July 12, 2019
7:00 pm – 9:00 pm
Free
Queensbridge Park
Vernon Blvd, Long Island City, NY 11101

~~~

LEÓN GIECO / KEVIN JOHANSEN / EL MATÓ A UN POLICÍA MOTORIZADO / SILVINA MORENO / JUAN INGARAMO

In association with Cosquin Rock and LAMC
Saturday, July 13, 2019
5:00 pm – 9:00 pm (Doors open 4:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11103

~~~

20TH ANNIVERSARY LATIN GRAMMY’S CELEBRATION

In association with LAMC
Saturday, July 13, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

AVERY*SUNSHINE

Sunday, July 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11104

~~~

FAMILY DAY: RAILROAD EARTH / RANKY TANKY

Sunday, July 14, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MERCE CUNNINGHAM: SUMMERCOOL FEAT STEPHEN PETRONIO COMPANY/ MELISSA TOOGOOD / CALVIN ROYAL III / A-Y/DANCERS WITH GUEST CURATION BY CATHERINE THARIN

In Association with the Cunningham Centennial Celebrations
Wednesday, July 17, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CUNNINGHAM DANCE WORKSHOP

Wednesday, July 17, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LISA LISA / COVER GIRLS / DJ LUCY EUCLID / VINNIE MEDUGNO (HOST)

Thursday, July 18, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

JODY WATLEY / MOBILE MONDAYS!

Friday, July 19, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

ANA TIJOUX / L’UNICORNS / DJ SHAME HOSTED BY JEN AND MAGIE

In Association with La Isla Bonita
Saturday, July 20, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
Staten Island, NY 10310

~~~

FORCE MDS AND U.M.C’S WITH RED ALERT / DJ XCEL & DJ THRILLA HOSTED BY TARIQ

Sunday, July 21, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

KURT VILE AND THE VIOLATORS WITH DINOSAUR JR. AND CATE LE BON

Produced by The Bowery Presents
Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

GRAND WIZZARD THEODORE & UPTOWN VINYL SUPREME W/ DJ PERLY, THE B.O.O.M. (BRONX ORGANIC ORCHESTRA MELINATED), AND THE BOOGIE DOWN ALL-STARS

Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

LALO RODRIGUEZ / LOS HERMANOS MORENO / DJ LUCHO

Friday, July 26, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

FELA! THE CONCERT

Friday, July 26, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Coney Island
Ford Amphitheater at Coney Island Boardwalk, Brooklyn, NY 11224

~~~

SLICK RICK / DJ CHUCK CHILLOUT

Saturday, July 27, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

ALCEU VALENÇA / CORDEL DO FOGO ENCANTADO / LABAQ / DJ GRACE KELLY

In Association with Brasil Summerfest
Saturday, July 27, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BRAZIL: THE TRANSFORMING POWER OF MUSIC TO OVERCOME TIMES OF CRISIS

Saturday, July 27, 2019
4:00 pm – 5:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE TEDSMOOTH OLDSCHOOL JAM: FREESTYLE EDITION WITH CYNTHIA, LISETTE MELENDEZ, GEORGE LAMOND / DJS EDDIE B SWIFT, G-BO THE PRO, BREAKBEAT LOU & TEDSMOOTH/ HOSTED BY MASTER Z

Sunday, July 28, 2019
6:00 pm – 9:00 pm
Free
Soundview Park
The Bronx, NY 10473

~~~

MAGIC SYSTEM / SMARTY / SELMA UAMUSSE / DJ BIRANE

Sunday, July 28, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

RAY DE LA PAZ / EDGAR JOEL AND ANTHONY COLON / DJ KAMALA

Wednesday, July 31, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

YOUTH MATINEE: FELA! THE CONCERT

Wednesday, July 31, 2019
11:00 am – 12:00 pm (Doors open 10:00 am)
Free
SummerStage, Central Park
Rumsey Playfield, E 71st St, New York, NY 10021

~~~

FELA! THE CONCERT

Wednesday, July 31, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SAMINI / EFYA

Thursday, August 1, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

GARIFUNA COLLECTIVE/ WABAFU GARIFUNA DANCE THEATER

Friday, August 2, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

EPMD 30TH ANNIVERSARY “UNFINISHED BUSINESS” / FUNK FLEX B-DAY CELEBRATION

Saturday, August 3, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

TAIWANESE WAVES: WAN FANG / TIZZY BAC / A BAO / 9M88

Saturday, August 3, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CORINNE BAILEY RAE / JOSE JAMES/ DJ NATASHA DIGGS FROM SOUL IN THE HORN

Sunday, August 4, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

WHY AREN’T THERE MORE WOMEN ON FESTIVAL STAGES?

Sunday, August 4, 2019
5:00 pm – 6:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

GUSTER WITH RUBBLEBUCKET

Produced by The Bowery Presents
Thursday, August 8, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

CRUMB/ PHONY PPL / PURR

In Association with DoNYC
Thursday, August 8, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

ELISA MONTE DANCE

Friday, August 9, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

VP RECORDS 40TH ANNIVERSARY: ELEPHANT MAN / JUNIOR REID / ESTELLE / RAGING FYAH

Saturday, August 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MOUNTAIN GOATS

Saturday, August 10, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

LILA DOWNS / LIDO PIMIENTA / DJ RIPLEY

Sunday, August 11, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EDDIE PALMIERI / BABY POWER / DJ SONNI

Sunday, August 11, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

OMAR / NAKHANE / DJ WILDCAT

Wednesday, August 14, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

THE CLARK CENTER 60TH ANNIVERSARY TRIBUTE: GEORGE FAISON UNIVERSAL DANCE EXPERIENCE / 5PLUS ENSEMBLE / DYANE HARVEY-SALAAM / JUEL D. LANE / AMY HALL GARNER DANCES / HSA DANCE ENSEMBLE

In Association with El Barrio ArtSpace
Thursday, August 15, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

BLACK WOODSTOCK 50TH ANNIVERSARY: IGMAR THOMAS / TALIB KWELI / KEYON HARROLD & SPECIAL GUESTS

In association with Moon31 / Future Sounds
Saturday, August 17, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

SELENA FOR SANCTUARY: CUCO / AMBAR LUCID / DJ SVANI & THE SANTUARIO HOUSE BAND WITH MUSIC DIRECTION BY ADRIAN QUESADA

Sunday, August 18, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LA SONORA PONCEÑA / JOSE “EL CANARIO” ALBERTO / DJ LUCHO

Sunday, August 18, 2019
Free
Coney Island
3052 W 21st St, Brooklyn, NY 11224

~~~

THE WAILERS’ JULIAN JUNIOR MARVIN / DJ QUEEN MAJESTY

In Association with DoNYC
Sunday, August 18, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

CARNIVAL OF THE ANIMALS (WORK-IN-PROGRESS EXCERPT) WITH WENDY WHELAN AND MARC BAMUTHI JOSEPH/ FILM – RESTLESS CREATURE: “WENDY WHELAN”

Wednesday, August 21, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE ART OF THE TRANSITION: A CONVERSATION ON NEXT STEPS

Wednesday, August 21, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

HARLEM 100: MWENSO AND THE SHAKES / BRIANNA THOMAS / VUYO SOTASHE / SPECIAL GUEST FRED WESLEY / JAZZMOBILE PRESENTS: WINARD HARPER & JELI POSSE

Friday, August 23, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

DEE DEE BRIDGEWATER / RAVI COLTRANE / QUIANA LYNELL / RECLAMATION: CAMILLE THURMAN, NIKARA WARREN AND BRANDEE YOUNGER

Saturday, August 24, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

LA INDIA / CIMAFUNK / DJ SONNI

Sunday, August 25, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CARL ALLEN’S ART BLAKEY TRIBUTE / GEORGE COLEMAN TRIO / FRED HERSCH / LAKECIA BENJAMIN

Sunday, August 25, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Tompkins Square Park
E 10th St, New York, NY 10009

~~~

THE ORIGINALS

Tuesday, August 27, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KING GIZZARD AND THE LIZARD WIZARD

Produced by The Bowery Presents
Wednesday, August 28, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

TASH SULTANA

Produced by The Bowery Presents
Wednesday, September 4, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE GROWLERS

Produced by The Bowery Presents
Saturday, September 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

MARINA – LOVE + FEAR TOUR

Produced by The Bowery Presents
Monday, September 16, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

BLOC PARTY PERFORMING SILENT ALARM

Produced by The Bowery Presents
Friday, September 20, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE B-52S WITH VERY SPECIAL GUESTS OMD AND BERLIN

Produced by The Bowery Presents
Tuesday, September 24, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

City Parks Foundation’s 30TH ANNIVERSARY GALA

Thursday, September 26, 2019
Priced Tickets
6:30 pm – 10:00 pm
Rumsey Playfield, Central Park

Sep
28
Sat
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Sep 28 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Sep
29
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Sep 29 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Ballet Hispánico’s 3rd Annual A La Calle Block Party  – 2019
Sep 29 @ 12:00 pm – 4:00 pm
Ballet Hispánico's 3rd Annual A La Calle Block Party  - 2019 @ New York | New York | United States

Ballet Hispánico’s

3rd Annual A La Calle Block Party

Sunday, September 29
Noon – 4:00 pm

West 89th Street (between Amsterdam and Columbus Avenues)

Ballet Hispánico will take over West 89th Street (between Amsterdam and Columbus Avenues), its home for 50 years, for a four-hour celebration of Latinx unity, dance, music, art, food and community.The event will include free performances by the internationally renowned Company and prestigious School of Dance and Community Arts Partnerships students, as well as live music, free dance classes for all ages, children’s activities, and raffles. The A La Calle Block Party is sponsored by Popular Bank, Nielson, AARP, and Wells Fargo. This event is free and open to the public.

Sep
30
Mon
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Sep 30 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
4
Fri
2019
AMANDA SELWYN DANCE THEATRE selected to present Crossroads at American Dance Guild Festival 2019 @ Ailey Citigroup Theater
Oct 4 all-day

AMANDA SELWYN DANCE THEATRE

selected to present Crossroads at
American Dance Guild Festival 2019

SHAPING THE NOW-DANCE IN UNCERTAIN TIMES

at Ailey Citigroup Theater

October 4, 2019 at 8pm

Amanda Selwyn Dance Theatre is proud to have been selected as one of several modern dance companies to present work at the annual American Dance Guild Festival 2019 SHAPING THE NOW-DANCE IN UNCERTAIN TIMES, on October 4, 2019 at 8pm at the Ailey Citigroup Theater, 405 W. 55th Street, NYC. Tickets are $10-25 and can be purchased at https://amandaselwyndance.org/american-dance-guild-festival-2019/.

Amanda Selwyn Dance Theatre will perform an excerpt of their latest evening-length work, Crossroads, which premiered in June 2019. Crossroads explores forging into unchartered waters and that tumultuous process of self-discovery. Inspired by the work of Magritte and Escher, Selwyn collaborated with scenic & costume designer, Anna-Alisa Belous to shape a surrealistic landscape that highlights these lingering moments at the crossroads, choosing one path or another, and how these moments steer the course of our lives.

Choreography: Amanda Selwyn and dancers
Costume and Scenic Design: Anna-Alisa Belous
Sound Design: Joel Wilhelmi
Dancers: Michael Bishop, Nolan Elsbecker, Alisa Gregory, Manon Hallay, Miaski Hayama, Min Kim, Sho Miya, Lauren Russo, Evita Zacharioglou

“Amanda Selwyn is a master at illustrating the symbiosis of sound and movement, the romance of motion and emotion – she had me laughing, crying, cringing and gasping all in the short 55-minute production.”
– Inside New York

“Amanda Selwyn’s work is masterly and emotionally expressive, she is truly gifted in the art of dance making.”
– NYC Dance Stuff

Amanda Selwyn Dance Theatre creates original and dynamic dance theatre that raises questions and magnifies humanity through dance. Productions pivot around core themes and through an interplay between athletic and pedestrian motion, activate emotional expression, character, and narrative in a rich and abstract collage. Presenting dance in an immediate, mature, and inclusive way, the company engages audiences from start to finish and beckons a response of thought, feeling, and soul. www.amandaselwyndance.org

Founded in 2000, Amanda Selwyn Dance Theatre has presented over 75 productions at NYC venues including Tribeca Performing Arts Center, New York Live Arts, Dance Theatre Workshop, Dance New Amsterdam, Danspace Project, Ailey Citigroup Theater, The Kumble Theater, John Jay College, and Mark Morris Dance Center. The company has, been presented twice at Jacob’s Pillow, Westfest, DUMBO Dance Festival, Dixon Place, Dance Teacher Summit, COOL NY, Movement Research, and Pushing Progress Series. Amanda Selwyn Dance Theatre has toured to festivals, presented open rehearsals, interactive performance events and workshops, and offers arts-in-education programming through Notes in Motion Outreach Dance Theatre to children in the NYC public schools. Selwyn’s 20th Anniversary Season is to be presented by CUNY Dance Initiative at Baruch Performing Arts Center in March 2020.

Oct
6
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Oct 6 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
10
Thu
2019
New York Butoh Institute in association with Theater for the New City present New York Butoh Institute Festival 19 @ Theater for the New City
Oct 10 – Oct 27 all-day

New York Butoh Institute
in association with
Theater for the New City
present

New York Butoh Institute Festival 19

October 10-27, 2019

at Theater for the New City

New York Butoh Institute presents the New York Butoh Institute Festival 19 from Thursday, October 10 through Sunday, October 27, 2019 at Theater for the New City. This year will mark the 60th anniversary of the Japanese performance art form butoh.

Curated by New York Butoh Institute’s founder Vangeline, the Festival will consist of an exciting program of Butoh workshops and masterclasses, as well as seven nights of groundbreaking performances presented at Theater for the New City. The festival will conclude on Sunday, October 27 with a lecture and short film celebrating the founder of butoh, Tatsumi Hijikata, and the 60 years of this historical and revolutionary art form as it continues to evolve into the 21st century.

The bold butoh performances being presented during the festival will feature 14 female dancers from Japan, Colombia, Norway, Italy, Germany, France, and the U.S. One of the pieces, Hijikata, Mon Amour, will be performed by Vangeline as an homage to butoh founder Tatsumi Hijikata. A highlight of the piece will be the costume Vangeline will wear: an exact replica of the bold red costume Tatsumi Hijikata wore in his legendary butoh performance of Tatsumi Hijikata and The Japanese-Revolt of the Flesh in 1968.

Thanks to a loan from the Tatsumi Hijikata Archives and a Janet Arnold Award from the Society of Antiquaries of London, the Festival is able to showcase the replica of this iconic costume worn by Tatsumi Hijikata in Revolt of the Flesh. Hijikata’s costume remains a totem for butoh-it holds secrets of the avant-garde art form.

Much like butoh itself, it was born at the confluence of East and West. This costume chronicles the evolution of postmodern art in Japan. The Festival will close with a short film of Tatsumi Hijikata in his 1968 solo, and a lecture with costume expert Todd Thomas who recreated the costume, and who will discuss his process, shedding light on how the original costume was designed and constructed. Prior to and during the presentation, the replica will be on display for audience members to see.

The New York Butoh Festival 19 will take place at Theater for the New City, 155 First Avenue, NYC. Thursday through Saturday October 17-19 and October 24-26 at 8pm, Sunday October 20 at 3pm, Sunday October 27 special event lecture at 3pm. Tickets are $18-$20, and can be purchased by phone at (212) 254-1109 or online at https://butohfest-19.eventbrite.com/. The lecture on Sunday, October 27 is free and open to the public.

Artists Featured:

Eri Chian (Osaka, Japan); Mari Osanai, (Aomori, Japan), Tove-Elena Nicolaysen (Chile/Norway), Salome Kokoladze (Georgia), Sindy Butz (Germany), Katherine Adamenko (USA), Madelyn Sher (USA), Angela Newsham (Hawai-USA), Melissa Lohman (Italy), Margherita Tisato (Italy), Yazmin Gonzalez (USA), Vangeline, (France), Lauren Farber (USA) and Brenda Polo (Colombia).

VANGELINE THEATER/NEW YORK BUTOH INSTITUTE aims to preserve the legacy and integrity of Japanese Butoh while carrying the art form well into the future. The unique art of Butoh originated in post- World War II Japan as a reaction to the loss of identity caused by the westernization of Japanese culture, as well as a realization that ancient Japanese performing traditions no longer spoke to a contemporary audience. One of the major developments in contemporary dance in the latter half of the 20th century, Butoh combines dance, theater, improvisation and influences of Japanese traditional performing arts to create a unique performing art form that is both controversial and universal in its expression. The Vangeline Theater is home to the New York Butoh Institute, dedicated to the advancement of Butoh in the 21st century. www.vangeline.com

Vangeline is a teacher, dancer, and choreographer specializing in the Japanese postwar avant-garde movement form Butoh. She is the artistic director of the Vangeline Theater (New York), a dance company firmly rooted in the tradition of Japanese Butoh while carrying it into the 21st century, and the founder of the New York Butoh Institute. Her work has been heralded in publications such as The New York Times (“captivating”), Los Angeles
Times, (“moves with the clockwork deliberation of a practiced Japanese Butoh artist”) and LA Weekly, to name a few. More recently her solo “Butoh Beethoven: Eclipse” received critical acclaim from the Ballet Review.

Vangeline is a 2018 NYFA/ NYSCA Artist Fellow in Choreography. She is also the winner of the 2015 Gibney Dance’s Beth Silverman-Yam Social Action Award. Film projects include a starring role alongside actors James Franco and Winona Ryder in the 2012 feature film The Letter, written and directed by Jay Anania, She has performed with/for Grammy Award-winning artists SKRILLEX and Esperanza Spalding. She is the author of a forthcoming book about butoh and looks forward to curating the second New York Butoh Institute Festival 19 this October.

THEATER FOR THE NEW CITY (TNC) is a Pulitzer Prize-winning community cultural center that is known for its high artistic standards and widespread community service. One of New York’s most prolific theatrical organizations, TNC produces 30-40 premieres of new American plays per year, at least 10 of which are by emerging and young playwrights. Many influential theater artists of the last quarter century have found TNC’s Resident Theater Program instrumental to their careers, among them Sam Shepard, Moises Kaufman, Richard Foreman, Charles Busch, Maria Irene Fornes, Miguel Piñero, Jean-Claude van Itallie, Vin Diesel, Oscar Nuñez, Laurence Holder, Romulus Linney and Academy Award winners Tim Robbins and Adrien Brody. TNC also presents plays by multi-ethnic/multi-disciplinary theater companies who have no permanent home. Among the well-known companies that have been presented by TNC are Mabou Mines, the Living Theater, Bread and Puppet Theater, the San Francisco Mime Troupe, and COBU, the Japanese women’s drumming, and dance group. TNC also produced the Yangtze Repertory Company’s 1997 production of Between Life and Death, which was the only play ever produced in America by Gao Xingjian before he won the 2000 Nobel Prize for Literature. TNC seeks to develop theater audiences and inspire future theater artists from the often-overlooked low-income minority communities of New York City by producing minority writers from around the world and by bringing the community into theater and theater into the community through its many free festivals. TNC productions have won the Pulitzer Prize for Drama and over 42 OBIE Awards for excellent in every theatrical discipline. TNC is the only Theatrical Organization to have won the Mayor’s Stop The Violence award.

Oct
12
Sat
2019
CUNY Dance Initiative and Kinesis Project dance theatre present Breathing with Strangers @ Snug Harbor Cultural Center & Botanical Garden
Oct 12 all-day
CUNY Dance Initiative and Kinesis Project dance theatre present Breathing with Strangers @ Snug Harbor Cultural Center & Botanical Garden | New York | United States

CUNY Dance Initiative and
Kinesis Project dance theatre
present

Breathing with Strangers

a site-specific, multidisciplinary performance
at Snug Harbor Cultural Center & Botanical Garden

October 12, 2019

The CUNY Dance Initiative and Kinesis Project dance theatre will present the site-specific dance performance Breathing with Strangers on Saturday, October 12, 2019 at 2pm and 4pm, at Snug Harbor Cultural Center & Botanical Garden, 1000 Richmond Terrace, Staten Island, NY 10301. Tickets are $10 and can be purchased at https://snug-harbor.org/pass/.

Melissa Riker/Kinesis Project dance theatre’s newest large-scale, outdoor performance, Breathing with Strangers, is a ragged, sweeping and surprising love-song to New York City. Dancers appear and disappear as the choreography twists around and within the levels, buildings, and hillsides of Snug Harbor’s Shinbone Alley. This project invites the audience to witness, interact, and follow the performance — and consider how generous moments between strangers can occur.

Kinesis Project dance theatre is led by New York City-based choreographer Melissa Riker, who emerged as a strong performance and creative voice in the dance and circus worlds during the 1990’s. Through Kinesis Project, Riker is democratizing dance by placing large-scale dance theatre in public spaces. Kinesis Project often works with urban renewal organizations such as HighLine Network members, Friends of Waterfront Seattle, or institutions like the South Street Seaport or Queens Botanical Garden.

Kinesis Project’s performance is the culmination of a residency at Snug Harbor Cultural Center & Botanical Garden in partnership with the CUNY Dance Initiative and the College of Staten Island.

“This season’s PASS performances at Snug Harbor explore the depths of time, memory, and ritual, opening up exciting spatial and sonic possibilities through movement and performance. Kinesis Project dance theatre, led by CUNY Dance Initiative artist-in-residence Melissa Riker, activates the richness of our historic campus by staging a site-specific performance in Shinbone Alley,” said Melissa West, Vice President of Curation, Visual & Performing Arts at Snug Harbor Cultural Center & Botanical Garden.

Breathing with Strangers is made possible in part with funding from the Upper Manhattan Empowerment Zone Development Corporation and administered by LMCC.

For more information, visit https://www.kinesisproject.com.

ABOUT THE COMPANY’S LAST SHOW:

“Large scale and transformative, Kinesis Project took on the space between an urban backdrop and the natural world beyond in Traces of Us. From their scattered shouts over the noise of the Alaskan Way Viaduct to their tight gathering at the waterfront edge, gesturing at the sunset, the dancers delighted and awed throughout.” – Seattle Dances

Gia Kourlas, The New York Times wrote about the company’s recent piece:
“Melissa Riker explores ideas about how vulnerability exists both in people and in structures; it comes to life within an immersive environment of movement and whispers.”

Melissa Riker is Artistic Director and Choreographer of Kinesis Project dance theatre. She is a New York City dancer and choreographer who emerged as a strong performance and creative voice as the NYC dance and circus worlds combined during the 90s. Riker’s dances and aesthetic layer her training as a classical dancer, martial artist, theatre choreographer and aerial performer. She creates dances on site – and in context. Riker invents large-scale outdoor performances and spontaneous moments of dance for individuals and corporate clients. Audiences and critics have called Riker’s work “a Marx Brothers’ routine with soul,” “A movable feast.” And from The New York Times, her choreography is: “comically acrobatic, gracefully classical, visually arresting.”

Kinesis Project is a dance organization that produces dance concerts, facilitates educational programs and creates site-specific performances with diverse communities. A company at the forefront of the international discussion of placemaking, art engagement and the cultural imperative of art in public space, Kinesis Project dance theatre invents large scale, space-changing, breath-taking experiences.

Since 2005, Kinesis Project’s work has been experienced in San Francisco, San Diego, Seattle, Boston, Philadelphia, Vermont, Florida and in New York City at such venerable venues as Danspace Project, Judson Church, Joyce Soho, The Minskoff Theatre, The Cunningham Studio, West End Theatre and Dixon Place.  In 2019, the company’s work will be experienced in Seattle, Brooklyn, NY, Riverside Park, supported by New York City Parks, and in Snug Harbor Cultural Center on Staten Island. The company dances outside in sculpture gardens, universities, and annually since 2006 in Battery Park’s Bosque Gardens and The Cloisters Lawn as well as hosting more than 30 surprise performances all over New York City and the tri-state area as an element of the company’s earned income and outreach programming with volunteer populated flashmobs. Residencies include: Earthdance 2006, Omi International Arts Center 2008, Kaatsbaan International Dance Center 2011, TheaterLab 2014, Adelphi University 2014. Ms. Riker is a 2016, 2017 and 2019 CUNY Dance Initiative Residency Fellow, 2015 LMCC Community Arts Fund grantee, 2019 Upper Manhattan Empowerment Zone Grantee. She has been commissioned by The Brooklyn Botanic Garden for a surprise large-scale work and performances of her work Secrets and Seawalls at Omi International Arts Center, Long House Reserve, Gateway National Park in partnership with Rockaways Artist Alliance. Ms. Riker has received commissions from Carson Fox and the Ephemeral Festival in 2013, 2014, 2015 and 2016 for large-scale outdoor events, NYU in 1998, for an outdoor work long before “flash mob” was coined, 2006 and 2008 grants from the Puffin Foundation for her work Community Movements, a dance work with community volunteers, Fellowships from the Dodge Foundation, Space Grant Residencies from 92nd St Y, The New 42nd St Studio, Gibney Dance Center, and The Joyce Theatre Foundation, and grants from The Bowick Family Trust and John C. Robinson to support the continued work of Kinesis Project dance theatre.

Snug Harbor Cultural Center & Botanical Garden is the result of more than four decades of restoration and development to convert a 19th century charitable rest home for sailors to a regional arts center, botanical gardens, and public park. It is a place where history, architecture, gardens, agriculture, visual and performing arts, and education come together to provide a dynamic experience for all ages. Snug Harbor consists of 28 buildings, fourteen distinctive botanical gardens, a two acre urban farm, wetlands and park land on a unique, free, open campus. Six of Snug Harbor’s original structures were the first designated landmarks for New York City’s Landmarks Preservation Commission in 1965, including the majestic Main Hall (built in 1833) and Music Hall (built in 1892), one of the oldest concert halls in New York City. Fourteen distinctive gardens spread across the campus and include the celebrated New York Chinese Scholar’s Garden and the Richmond County Savings Foundation Tuscan Garden. Snug Harbor offers programs and attractions to benefit the residents of Staten Island and of New York. It is home to the Newhouse Center for Contemporary Art, Staten Island Museum, Staten Island Children’s Museum, Noble Maritime Collection, Art Lab, Children’s Harbor Montessori School, and Staten Island Conservatory of Music. Snug Harbor is proud to be a distinguished Smithsonian affiliate.

Breathing with Strangers

is part of the CUNY Dance Initiative (CDI), a program that opens the doors of CUNY campuses to professional choreographers and dance companies. CDIreceives major support from the Howard Gilman Foundation and the Mertz Gilmore Foundation. Additional support is provided by the Jerome Robbins Foundation, the SHS Foundation, the Harkness Foundation for Dance, and Dance NYC’s New York City Dance Space Subsidy Program, made possible by the Andrew W. Mellon Foundation. CDI is spearheaded and administered by the Kupferberg Center for the Arts at Queens College.  www.cuny.edu/danceinitiative

Oct
16
Wed
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Oct 16 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
19
Sat
2019
The New York City CD & Record Collectors Expo
Oct 19 all-day

The New York City CD & Record Collectors Expo

Saturday, January 19
Saturday, February 16
Saturday, March 16
Sunday, April 14
Saturday, May 18
Saturday, June 15
Saturday, July 20
Saturday, August 17
Saturday, September 21
Saturday, October 19
Saturday, November 16
Saturday, December 21

Learn more at this official page here…As well as their page within Facebook here…

 The Watson Hotel, 440 West 57th St. (formerly the Holiday Inn)
(between 9th & 10 Aves), New York City, NY

8:00 am – 10:00 am
Early Admission: $25 ($15 with ePostcard or postcard)

10:00 am – 4:00 pm
Regular Admission: $6 ($3 with ePostcard, $5 with postcard)

Oct
20
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Oct 20 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
23
Wed
2019
Lincoln Center’s 2019 White Light Festival presents EN MASSE @ Gerald W Lynch Theater
Oct 23 – Oct 25 all-day

Lincoln Center’s 2019 White Light Festival presents EN MASSE

October 23 – 25, 2019

Gerald W Lynch Theater
524 W 59th St, New York, NY

Australia’s Circa ensemble embodies electrifying explosions of physicality and power in this work that blurs the boundaries of dance, theater, music, and circus arts. Under the visionary direction of Yaron Lifschitz, the troupe melds circus acrobatics with contemporary dance in the tender and savage En Masse, featuring ten acrobats and three musicians performing to music by Swedish composer Klara Lewis interspersed with selections from Schubert’s haunting Winterreise and Schwanengesang. A two-piano arrangement of Stravinsky’s Rite of Spring yields the anarchic energy of acrobats caught in a life-and-death struggle. Circa appeared in the U.S. premiere of How Like an Angel in the 2014 White Light Festival.

There will be a post-performance discussion with Libby McDonnell and Elizabeth Streb on Thursday, October 24.

En Masse (U.S. premiere)
Wednesday, October 23, 2019 at 7:30 pm
Thursday, October 24, 2019 at 7:30 pm
Friday, October 25, 2019 at 7:30 pm
Gerald W. Lynch Theater at John Jay College

Circa
Robert Murray, tenor
Tamara-Anna Cislowska, Michael Harvey, piano
Created by Yaron Lifschitz with the Circa Ensemble
Music by Franz Schubert, Klara Lewis, and Igor Stravinsky
Yaron Lifschitz, direction and stage design
Yaron Lifschitz and Richard Clarke, lighting design
Libby McDonnell, associate director and costume design

Performance length: One hour and 50 minutes, including intermission

Endowment support for the White Light Festival presentation of En Masse is provided by the Blavatnik Family Foundation Fund for Dance.

Lincoln Center for the Performing Arts 2019 White Light Festival will run October 19 through November 24. For its tenth anniversary season, the multidisciplinary festival will feature events presented in eight venues across the city, including U.S. and New York premieres and the return of festival favorites.

“The resonance of the White Light Festival has only deepened during its first decade, as we have moved into far more challenging times here and around the world,” said Jane Moss, Ehrenkranz Artistic Director of Lincoln Center. “The Festival’s central theme, namely the singular capacity of artistic expression to illuminate what is inside ourselves and connect us to others, is more relevant than ever. This 10th anniversary edition spanning disparate countries, cultures, disciplines, and genres emphasizes that the elevation of the spirit the arts inspires uniquely unites us and expands who we are.”

Nov
10
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 10 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
16
Sat
2019
The New York City CD & Record Collectors Expo
Nov 16 all-day

The New York City CD & Record Collectors Expo

Saturday, January 19
Saturday, February 16
Saturday, March 16
Sunday, April 14
Saturday, May 18
Saturday, June 15
Saturday, July 20
Saturday, August 17
Saturday, September 21
Saturday, October 19
Saturday, November 16
Saturday, December 21

Learn more at this official page here…As well as their page within Facebook here…

 The Watson Hotel, 440 West 57th St. (formerly the Holiday Inn)
(between 9th & 10 Aves), New York City, NY

8:00 am – 10:00 am
Early Admission: $25 ($15 with ePostcard or postcard)

10:00 am – 4:00 pm
Regular Admission: $6 ($3 with ePostcard, $5 with postcard)

Nov
17
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 17 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
18
Mon
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 18 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
22
Fri
2019
Ballet Hispánico at The Apollo @ Apollo Theater
Nov 22 all-day

BALLET HISPÁNICO
in collaboration with
THE APOLLO THEATER
presents

The World Premiere of

Annabelle Lopez Ochoa’s Tiburones
A Restaging of Nací by Andrea Miller
Con Brazos Abiertos by Michelle Manzanales

November 22-23, 2019 at 8:00pm

Ballet Hispánico, the nation’s premier Latino dance organization, returns to the Apollo stage on Friday and Saturday, November 22 and 23, 2019 at 8:00pm with a program that continues its commitment to staging works by female, Latinx choreographers. Ballet Hispánico is sponsored by GOYA, which has sponsored the company since 1977.

In the World Premiere of Tiburones, Anabelle Lopez Ochoa reimagines the world of the street gang, The Sharks (from the award-winning musical West Side Story) from a Latinx and gender fluid perspective. Ochoa will embrace non-gender specific roles while deconstructing stereotypes and giving new life to an ever appropriated cultural icon.

In this restaging of Nací (2009), choreographer Andrea Miller draws from the duality of her Spanish and Jewish-American background and employs her distinctive movement style to investigate the Sephardic culture of Spain, with its Moorish influence and profound sense of community, despite hardship.

Con Brazos Abiertos (2017) is a fun and frank look at life caught between two cultures. Michelle Manzanales utilizes iconic Mexican symbols that she was reluctant to embrace as a Mexican-American child growing up in Texas, to speak to the immigrant experience. Intertwining folkloric representations with humor and music that ranges from Julio Iglesias to Rock en Español, the work brings life to a Latino dilemma.

“We are thrilled to bring the World Premiere of Annabelle Lopez Ochoa’s Tiburones to the Apollo Theater. Ballet Hispánico is dedicated to providing arts programming that is accessible to community members of all ages, abilities, and backgrounds and we are grateful for this continued partnership with the Apollo, allowing us another opportunity to elevate the voices of Latinx and female artists,”said Artistic Director & CEO Eduardo Vilaro.

“Our collaboration with Ballet Hispánico not only speaks to the importance of presenting such vital works in Harlem, but also speaks to the Apollo’s mission of continuing to create a 21st century performing arts canon. We want to not only commission and present a myriad of new multidisciplinary works, but also continue being a home for cultural innovators such as Ballet Hispánico,” said Kamilah Forbes, the Apollo’s Executive Producer.

“We are proud to support the work and talent of Ballet Hispánico because we value organizations who bring together communities of all cultures and ages through the beauty and passion of their art form,” said Rafael Toro, Director of Public Relations of GOYA Foods.

Artistic Director & CEO: Eduardo Vilaro
Rehearsal Director: Johan Rivera
Choreographers: Annabelle Lopez Ochoa, Andrea Miller, and Michelle Manzanales
Dancers: the Ballet Hispánico Company; Simone Cameresi, Shelby Colona, Laura Lopez, Geena Pacareu, Gabrielle Sprauve, Dandara Veiga, Melissa Verdecia, Lenai Wilkerson, Christopher Bloom, Jared Bogart, Antonio Cangiano, Paulo Gutierrez, Paulo Hernandez, Omar Rivera, and Lyvan Verdecia

Tickets begin at $10 and will be available for purchase starting August 22, 2019. For more information, visit ballethispanico.org.

Ballet Hispánico’s New York Season is made possible by Jody & John Arnhold, the Howard Gilman Foundation, GOYA Foods, Inc., The Harkness Foundation for Dance, The Frances Lear Foundation, MetLife Foundation, The SHS Foundation, The Fan Fox & Leslie R. Samuels Foundation, The Shubert Foundation, with public support from the National Endowment for the Arts, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

Univision Communications, Inc. is the Media Sponsor of Ballet Hispánico.

This performance at the Apollo is sponsored by GOYA.

Annabelle Lopez Ochoa has been choreographing since 2003 following a twelve-year dance career in various contemporary dance companies throughout Europe. She has created works on sixty companies worldwide including Ballet Hispánico, Cincinnati Ballet, Compañía Nacional de Danza, Dutch National Ballet, Finnish National Ballet, Royal Ballet of Flanders, Ballet du Grand Théâtre de Genève, Göteborg Ballet, Joffrey Ballet, BJM-Danse Montréal, New York City Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, Tulsa Ballet, English National Ballet, San Francisco Ballet and Les Grands Ballets Canadiens, to name a few. In 2012, her first full length work, A Streetcar Named Desire, originally created for Scottish Ballet, received the Critics’ Circle National Dance Award for “Best Classical Choreography” and was nominated for the prestigious Olivier Award for Best New Dance Production the following year. Annabelle is the recipient of the Jacob’s Pillow Dance Award 2019.

Andrea Miller is Artistic Director and choreographer of Brooklyn-based company, Gallim, and has established herself as a perpetually groundbreaking artist. A sought-after creator and collaborator in dance, art, film, theater, tech, and fashion, Miller was named 2017/2018 Artist in Residence at The Metropolitan Museum of Art, and in October 2018, she was featured in Forbes as a female entrepreneur and leader in the dance world. Her highly acclaimed works are performed by Gallim as well as other leading dance companies around the world. Her work has been shown at The Metropolitan Museum of Art, Frieze Festival, Art Basel, Lincoln Center, The Kennedy Center, BAM Next Wave, The Joyce, and Jacob’s Pillow, among others. Miller’s educational programming is run from Gallim’s Brooklyn home studio and has been brought to universities and educational centers across the US.

Michelle Manzanales is a choreographer and dance educator originally from Houston, TX. Michelle is the Director of the Ballet Hispánico School of Dance, but lends her artistic voice to all facets of the organization. She began working with Eduardo Vilaro, in 2003 as a dancer for his company Luna Negra Dance Theater of Chicago where she also served as Rehearsal Director in 2006 and as Interim Artistic Director from 2009-2010. Ms. Manzanales has created works for professional dance companies, universities, and schools across the nation including a commission for Ballet Hispánico’s main Company for their 2017 season at The Joyce Theater. Her 2010 homage to Frida Kahlo, Paloma Querida, and 2007 piece, Sugar in the Raw (Azucar Cruda) have been praised by the Chicago Tribune and Chicago Sun Times. “This dance isn’t just about one girl’s experience; it applies to everyone, of any gender, and of any culture,” said CriticalDance of Manzanales’ Con Brazos Abiertos (2017).

About Ballet Hispánico

Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground.

The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company whose vision of social equity, cultural identity, and quality arts education for all drives its programs.

Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education.

Eduardo Vilaro (Artistic Director & CEO) joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr. Vilaro has infused Ballet Hispánico’s legacy with a bold and eclectic brand of contemporary dance that reflects America’s changing cultural landscape. Born in Cuba and raised in New York from the age of six, he is a frequent speaker on the merits of cultural diversity and dance education. Mr. Vilaro’s own choreography is devoted to capturing the spiritual, sensual, and historical essence of Latino cultures. He created over 20 ballets for Luna Negra and has received commissions from the Ravinia Festival, the Chicago Sinfonietta, the Grant Park Festival, the Lexington Ballet, and the Chicago Symphony. In 2001, he was a recipient of a Ruth Page Award for choreography, and in 2003, he was honored for his choreographic work at Panama’s II International Festival of Ballet. Mr. Vilaro was inducted into the Bronx Walk of Fame in 2016 and was awarded HOMBRE Magazine’s 2017 Arts & Culture Trailblazer of the Year. In 2019, Mr. Vilaro was the recipient of the West Side Spirit’s WESTY Award, was honored by WNET for his contributions to the arts, and most recently, was the recipient of the James W. Dodge Foreign Language Advocate Award.

About the Apollo Theater

The legendary Apollo Theater-the soul of American culture-plays a vital role in cultivating emerging artists and launching legends. Since its founding, the Apollo has served as a center of innovation and a creative catalyst for Harlem, the city of New York, and the world.

With music at its core, the Apollo’s programming extends to dance, theater, spoken word, and more. This includes special programs such as the blockbuster concert Bruno Mars Live at the Apollo, 100: The Apollo Celebrates Ella, the annual Africa Now! Festival, the New York premiere of the opera We Shall Not Be Moved, and the world premiere of Between the World and Me. The Apollo is a performing arts presenting organization that also produces festivals and large-scale dance and music works organized around a set of core initiatives that celebrate and extend the Apollo’s legacy through a contemporary lens; global festivals including the Women of the World (WOW) Festival and Breakin’ Convention, international and U.S.-based artist presentations focused on a specific theme; and special projects, multidisciplinary collaborations with partner organizations.

Since introducing the first Amateur Night contests in 1934, the Apollo Theater has served as a testing ground for new artists working across a variety of art forms and has ushered in the emergence of many new musical genres-including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. Among the countless legendary performers who launched their careers at the Apollo are D’Angelo, Lauryn Hill, H.E.R., Machine Gun Kelly, Miri Ben Ari, Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Gladys Knight, Luther Vandross, and Stevie Wonder; and the Apollo’s forward-looking artistic vision continues to build on this legacy.

About GOYA

Founded in 1936, Goya Foods, Inc. is America’s largest Hispanic-owned food company, and has established itself as the leader in Latin American food and condiments. Goya manufactures, packages, and distributes over 2,500 high-quality food products from Spain, the Caribbean, Mexico, Central and South America. Goya products have their roots in the culinary traditions of Hispanic communities around the world. The combination of authentic ingredients, robust seasonings and convenient preparation makes Goya products ideal for every taste and every table. For more information on Goya Foods, please visit www.goya.com.

Nov
24
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 24 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
7
Sat
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 7 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
8
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 8 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
13
Fri
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 13 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
14
Sat
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 14 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
15
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 15 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
21
Sat
2019
The New York City CD & Record Collectors Expo
Dec 21 all-day

The New York City CD & Record Collectors Expo

Saturday, January 19
Saturday, February 16
Saturday, March 16
Sunday, April 14
Saturday, May 18
Saturday, June 15
Saturday, July 20
Saturday, August 17
Saturday, September 21
Saturday, October 19
Saturday, November 16
Saturday, December 21

Learn more at this official page here…As well as their page within Facebook here…

 The Watson Hotel, 440 West 57th St. (formerly the Holiday Inn)
(between 9th & 10 Aves), New York City, NY

8:00 am – 10:00 am
Early Admission: $25 ($15 with ePostcard or postcard)

10:00 am – 4:00 pm
Regular Admission: $6 ($3 with ePostcard, $5 with postcard)