NYC Calendar of Events – New York City

New York City Calendar of Upcoming Events, Happenings and More

Also visit the following for events which may not be listed here:
NYC Street Fairs / Festivals  |  Free/Cheap Concerts Listings |  Newsletter Signup 
Got an Event to Submit? Click on the Green ‘Post Your Event’ Button below.
Please, anything that can’t be verified by another online listing elsewhere will not be accepted. Plus, do not submit for profit store sales events or anything like that. They’ll get rejected as well.

Sep
24
Tue
2019
NYC SummerStage 2019 Calendar
Sep 24 all-day
NYC SummerStage 2019 Calendar

NYC City Parks Foundation’s 2019 SummerStage Events Calendar

Please be sure to keep on top of whatever item you might be interested in by visiting the official site to learn about changes in scheduling &/or last minute cancellations and such. Also, the City Parks Foundation, now entering its 30th anniversary, is a non-profit organization which depends on donations as well as through funds gained through memberships offered.

OPENING NIGHT: EMILY KING / DURAND JONES AND THE INDICATIONS / MADISON MCFERRIN / DJ REBORN

Saturday, June 1, 2019
6:30 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ONE NATION UNDER A GROOVE FAREWELL TOUR 2019: GEORGE CLINTON & PARLIAMENT FUNKADELIC W/ GALACTIC, FISHBONE, DUMPSTAPHUNK & MISS VELVET

Presented by Sony Presents the Blue Note Jazz Festival
Tuesday, June 4, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan

~~~

PARQUET COURTS / SACHIKO KANENOBU / ARP / PRINCE OF QUEENS

Saturday, June 8, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KES THE BAND

Tuesday, June 11, 20197:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Coney Island
Ford Ampitheater at Coney Island Boardwalk, 3052 W 21st St, Brooklyn

~~~

THE NEW YORK CANTORS WITH SPECIAL GUESTS SHULEM AND FRANK LONDON CONDUCTED BY ZALMEN MLOTEK PRESENTED BY THE NATIONAL YIDDISH THEATRE FOLKSBIENE

Wednesday, June 12, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BIG FREEDIA / BATEKOO / MIKEQ X QWEEN BEAT / GINA YASHERE

Thursday, June 13, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

DEJOHNETTE – COLTRANE – GARRISON TRIO / BRANDEE YOUNGER

In association with Sony Presents Blue Note Jazz Festival
Saturday, June 15, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JAZZ ON THE CUSP HOSTED BY NATE CHINEN

Saturday, June 15, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LES BALLETS TROCKADERO DE MONTE CARLO

Wednesday, June 19, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

REVOLUTIONARIES EN POINTE: THE TROCKS CELEBRATE STONEWALL 50

Wednesday, June 19, 2019
6:00 pm – 7:00 pm
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SOLD OUT – KHRUANGBIN WITH CONNAN MOCKASIN AND KIKAGAKU MOYO

Produced by The Bowery Presents
Thursday, June 20, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

20TH ANNIVERSARY OF INTERNAL AFFAIRS: PHAROAHE MONCH AND FRIENDS / MISS MOCHA SUNFLOWER THE RHYTHM GODDESS

Thursday, June 20, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

RONALD K. BROWN/ EVIDENCE, A DANCE COMPANY

Friday, June 21, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

THE AUSSIE BBQ: A.B. ORIGINAL / HERMITUDE / SAN CISCO / THE TESKEY BROTHERS / TKAY MAIDZA / WAAX

In Association With Sounds Australia, the Australian Consul-General, NY and the Australia Council for the Arts
Saturday, June 22, 2019
2:00 pm – 7:00 pm (Doors open 1:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EVERYDAY PEOPLE & SPECIAL GUESTS

Saturday, June 22, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

ONLY IN QUEENS FESTIVAL: SHEILA E. / MUSIQ SOULCHILD

Sunday, June 23, 2019
5:00 pm – 8:00 pm (Doors open 4:00 pm)
Free
Flushing Meadows Corona Park
Queens, NY

~~~

FÊTE DE LA MUSIQUE: ZDAR FROM CASSIUS / LES NEGRESSES VERTES

Sunday, June 23, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JESSE ROYAL / KABAKA PYRAMID / MAX GLAZER

Sunday, June 23, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

JAPANESE BREAKFAST / HATCHIE / HOUSE OF NOD

Monday, June 24, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ALVVAYS/ THE COURTNEYS / ELLIS

In association with the Consulate General of Canada
Wednesday, June 26, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BOOT CAMP BBQ: BLACK MOON AND SMIF N WESSUN

Thursday, June 27, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

YOUNG M.A/ FUNK FLEX

Friday, June 28, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

JONATHAN MCREYNOLDS

Saturday, June 29, 2019
7:00 pm – 9:00 pm
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

BUIKA / A-WA / BLICK BASSY / DJ TARA

Sunday, June 30, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MIGHTY SPARROW / CASYM STEEL ORCHESTRA

Friday, July 5, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11413

~~~

RALPH MCDANIELS SOUL & FUNK JAM FT. BLUE MAGIC AND DJ HOLLYWOOD

Saturday, July 6, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11414

~~~

TABOU COMBO / LAKOU MIZIK/ DJ SABINE BLAIZIN

Sunday, July 7, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Springfield Park
Springfield Park, Queens, NY 11415

~~~

MR EAZI / EFYA / BLINKY BILL / DJ MAHOGANY

Sunday, July 7, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

XIMENA SARIÑANA/ ILE / NATHY PELUSO

In association with LAMC
Wednesday, July 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ATERCIOPELADOS / DIAMANTE ELÉCTRICO / DJ DAYANSITA

In association with LAMC
Thursday, July 11, 2019
7:00 pm – 9:00 pm
Free
SummerStage, Queensbridge Park
Queensbridge Park, Long Island City, NY 11101

~~~

A PALO SECO

In association with LAMC
Friday, July 12, 2019
7:00 pm – 9:00 pm
Free
Queensbridge Park
Vernon Blvd, Long Island City, NY 11101

~~~

LEÓN GIECO / KEVIN JOHANSEN / EL MATÓ A UN POLICÍA MOTORIZADO / SILVINA MORENO / JUAN INGARAMO

In association with Cosquin Rock and LAMC
Saturday, July 13, 2019
5:00 pm – 9:00 pm (Doors open 4:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11103

~~~

20TH ANNIVERSARY LATIN GRAMMY’S CELEBRATION

In association with LAMC
Saturday, July 13, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

AVERY*SUNSHINE

Sunday, July 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11104

~~~

FAMILY DAY: RAILROAD EARTH / RANKY TANKY

Sunday, July 14, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MERCE CUNNINGHAM: SUMMERCOOL FEAT STEPHEN PETRONIO COMPANY/ MELISSA TOOGOOD / CALVIN ROYAL III / A-Y/DANCERS WITH GUEST CURATION BY CATHERINE THARIN

In Association with the Cunningham Centennial Celebrations
Wednesday, July 17, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CUNNINGHAM DANCE WORKSHOP

Wednesday, July 17, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LISA LISA / COVER GIRLS / DJ LUCY EUCLID / VINNIE MEDUGNO (HOST)

Thursday, July 18, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

JODY WATLEY / MOBILE MONDAYS!

Friday, July 19, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

ANA TIJOUX / L’UNICORNS / DJ SHAME HOSTED BY JEN AND MAGIE

In Association with La Isla Bonita
Saturday, July 20, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
Staten Island, NY 10310

~~~

FORCE MDS AND U.M.C’S WITH RED ALERT / DJ XCEL & DJ THRILLA HOSTED BY TARIQ

Sunday, July 21, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

KURT VILE AND THE VIOLATORS WITH DINOSAUR JR. AND CATE LE BON

Produced by The Bowery Presents
Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

GRAND WIZZARD THEODORE & UPTOWN VINYL SUPREME W/ DJ PERLY, THE B.O.O.M. (BRONX ORGANIC ORCHESTRA MELINATED), AND THE BOOGIE DOWN ALL-STARS

Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

LALO RODRIGUEZ / LOS HERMANOS MORENO / DJ LUCHO

Friday, July 26, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

FELA! THE CONCERT

Friday, July 26, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Coney Island
Ford Amphitheater at Coney Island Boardwalk, Brooklyn, NY 11224

~~~

SLICK RICK / DJ CHUCK CHILLOUT

Saturday, July 27, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

ALCEU VALENÇA / CORDEL DO FOGO ENCANTADO / LABAQ / DJ GRACE KELLY

In Association with Brasil Summerfest
Saturday, July 27, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BRAZIL: THE TRANSFORMING POWER OF MUSIC TO OVERCOME TIMES OF CRISIS

Saturday, July 27, 2019
4:00 pm – 5:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE TEDSMOOTH OLDSCHOOL JAM: FREESTYLE EDITION WITH CYNTHIA, LISETTE MELENDEZ, GEORGE LAMOND / DJS EDDIE B SWIFT, G-BO THE PRO, BREAKBEAT LOU & TEDSMOOTH/ HOSTED BY MASTER Z

Sunday, July 28, 2019
6:00 pm – 9:00 pm
Free
Soundview Park
The Bronx, NY 10473

~~~

MAGIC SYSTEM / SMARTY / SELMA UAMUSSE / DJ BIRANE

Sunday, July 28, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

RAY DE LA PAZ / EDGAR JOEL AND ANTHONY COLON / DJ KAMALA

Wednesday, July 31, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

YOUTH MATINEE: FELA! THE CONCERT

Wednesday, July 31, 2019
11:00 am – 12:00 pm (Doors open 10:00 am)
Free
SummerStage, Central Park
Rumsey Playfield, E 71st St, New York, NY 10021

~~~

FELA! THE CONCERT

Wednesday, July 31, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SAMINI / EFYA

Thursday, August 1, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

GARIFUNA COLLECTIVE/ WABAFU GARIFUNA DANCE THEATER

Friday, August 2, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

EPMD 30TH ANNIVERSARY “UNFINISHED BUSINESS” / FUNK FLEX B-DAY CELEBRATION

Saturday, August 3, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

TAIWANESE WAVES: WAN FANG / TIZZY BAC / A BAO / 9M88

Saturday, August 3, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CORINNE BAILEY RAE / JOSE JAMES/ DJ NATASHA DIGGS FROM SOUL IN THE HORN

Sunday, August 4, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

WHY AREN’T THERE MORE WOMEN ON FESTIVAL STAGES?

Sunday, August 4, 2019
5:00 pm – 6:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

GUSTER WITH RUBBLEBUCKET

Produced by The Bowery Presents
Thursday, August 8, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

CRUMB/ PHONY PPL / PURR

In Association with DoNYC
Thursday, August 8, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

ELISA MONTE DANCE

Friday, August 9, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

VP RECORDS 40TH ANNIVERSARY: ELEPHANT MAN / JUNIOR REID / ESTELLE / RAGING FYAH

Saturday, August 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MOUNTAIN GOATS

Saturday, August 10, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

LILA DOWNS / LIDO PIMIENTA / DJ RIPLEY

Sunday, August 11, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EDDIE PALMIERI / BABY POWER / DJ SONNI

Sunday, August 11, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

OMAR / NAKHANE / DJ WILDCAT

Wednesday, August 14, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

THE CLARK CENTER 60TH ANNIVERSARY TRIBUTE: GEORGE FAISON UNIVERSAL DANCE EXPERIENCE / 5PLUS ENSEMBLE / DYANE HARVEY-SALAAM / JUEL D. LANE / AMY HALL GARNER DANCES / HSA DANCE ENSEMBLE

In Association with El Barrio ArtSpace
Thursday, August 15, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

BLACK WOODSTOCK 50TH ANNIVERSARY: IGMAR THOMAS / TALIB KWELI / KEYON HARROLD & SPECIAL GUESTS

In association with Moon31 / Future Sounds
Saturday, August 17, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

SELENA FOR SANCTUARY: CUCO / AMBAR LUCID / DJ SVANI & THE SANTUARIO HOUSE BAND WITH MUSIC DIRECTION BY ADRIAN QUESADA

Sunday, August 18, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LA SONORA PONCEÑA / JOSE “EL CANARIO” ALBERTO / DJ LUCHO

Sunday, August 18, 2019
Free
Coney Island
3052 W 21st St, Brooklyn, NY 11224

~~~

THE WAILERS’ JULIAN JUNIOR MARVIN / DJ QUEEN MAJESTY

In Association with DoNYC
Sunday, August 18, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

CARNIVAL OF THE ANIMALS (WORK-IN-PROGRESS EXCERPT) WITH WENDY WHELAN AND MARC BAMUTHI JOSEPH/ FILM – RESTLESS CREATURE: “WENDY WHELAN”

Wednesday, August 21, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE ART OF THE TRANSITION: A CONVERSATION ON NEXT STEPS

Wednesday, August 21, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

HARLEM 100: MWENSO AND THE SHAKES / BRIANNA THOMAS / VUYO SOTASHE / SPECIAL GUEST FRED WESLEY / JAZZMOBILE PRESENTS: WINARD HARPER & JELI POSSE

Friday, August 23, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

DEE DEE BRIDGEWATER / RAVI COLTRANE / QUIANA LYNELL / RECLAMATION: CAMILLE THURMAN, NIKARA WARREN AND BRANDEE YOUNGER

Saturday, August 24, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

LA INDIA / CIMAFUNK / DJ SONNI

Sunday, August 25, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CARL ALLEN’S ART BLAKEY TRIBUTE / GEORGE COLEMAN TRIO / FRED HERSCH / LAKECIA BENJAMIN

Sunday, August 25, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Tompkins Square Park
E 10th St, New York, NY 10009

~~~

THE ORIGINALS

Tuesday, August 27, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KING GIZZARD AND THE LIZARD WIZARD

Produced by The Bowery Presents
Wednesday, August 28, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

TASH SULTANA

Produced by The Bowery Presents
Wednesday, September 4, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE GROWLERS

Produced by The Bowery Presents
Saturday, September 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

MARINA – LOVE + FEAR TOUR

Produced by The Bowery Presents
Monday, September 16, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

BLOC PARTY PERFORMING SILENT ALARM

Produced by The Bowery Presents
Friday, September 20, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE B-52S WITH VERY SPECIAL GUESTS OMD AND BERLIN

Produced by The Bowery Presents
Tuesday, September 24, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

City Parks Foundation’s 30TH ANNIVERSARY GALA

Thursday, September 26, 2019
Priced Tickets
6:30 pm – 10:00 pm
Rumsey Playfield, Central Park

Sep
26
Thu
2019
NYC SummerStage 2019 Calendar
Sep 26 all-day
NYC SummerStage 2019 Calendar

NYC City Parks Foundation’s 2019 SummerStage Events Calendar

Please be sure to keep on top of whatever item you might be interested in by visiting the official site to learn about changes in scheduling &/or last minute cancellations and such. Also, the City Parks Foundation, now entering its 30th anniversary, is a non-profit organization which depends on donations as well as through funds gained through memberships offered.

OPENING NIGHT: EMILY KING / DURAND JONES AND THE INDICATIONS / MADISON MCFERRIN / DJ REBORN

Saturday, June 1, 2019
6:30 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ONE NATION UNDER A GROOVE FAREWELL TOUR 2019: GEORGE CLINTON & PARLIAMENT FUNKADELIC W/ GALACTIC, FISHBONE, DUMPSTAPHUNK & MISS VELVET

Presented by Sony Presents the Blue Note Jazz Festival
Tuesday, June 4, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan

~~~

PARQUET COURTS / SACHIKO KANENOBU / ARP / PRINCE OF QUEENS

Saturday, June 8, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KES THE BAND

Tuesday, June 11, 20197:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Coney Island
Ford Ampitheater at Coney Island Boardwalk, 3052 W 21st St, Brooklyn

~~~

THE NEW YORK CANTORS WITH SPECIAL GUESTS SHULEM AND FRANK LONDON CONDUCTED BY ZALMEN MLOTEK PRESENTED BY THE NATIONAL YIDDISH THEATRE FOLKSBIENE

Wednesday, June 12, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BIG FREEDIA / BATEKOO / MIKEQ X QWEEN BEAT / GINA YASHERE

Thursday, June 13, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

DEJOHNETTE – COLTRANE – GARRISON TRIO / BRANDEE YOUNGER

In association with Sony Presents Blue Note Jazz Festival
Saturday, June 15, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JAZZ ON THE CUSP HOSTED BY NATE CHINEN

Saturday, June 15, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LES BALLETS TROCKADERO DE MONTE CARLO

Wednesday, June 19, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

REVOLUTIONARIES EN POINTE: THE TROCKS CELEBRATE STONEWALL 50

Wednesday, June 19, 2019
6:00 pm – 7:00 pm
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SOLD OUT – KHRUANGBIN WITH CONNAN MOCKASIN AND KIKAGAKU MOYO

Produced by The Bowery Presents
Thursday, June 20, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

20TH ANNIVERSARY OF INTERNAL AFFAIRS: PHAROAHE MONCH AND FRIENDS / MISS MOCHA SUNFLOWER THE RHYTHM GODDESS

Thursday, June 20, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

RONALD K. BROWN/ EVIDENCE, A DANCE COMPANY

Friday, June 21, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

THE AUSSIE BBQ: A.B. ORIGINAL / HERMITUDE / SAN CISCO / THE TESKEY BROTHERS / TKAY MAIDZA / WAAX

In Association With Sounds Australia, the Australian Consul-General, NY and the Australia Council for the Arts
Saturday, June 22, 2019
2:00 pm – 7:00 pm (Doors open 1:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EVERYDAY PEOPLE & SPECIAL GUESTS

Saturday, June 22, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

ONLY IN QUEENS FESTIVAL: SHEILA E. / MUSIQ SOULCHILD

Sunday, June 23, 2019
5:00 pm – 8:00 pm (Doors open 4:00 pm)
Free
Flushing Meadows Corona Park
Queens, NY

~~~

FÊTE DE LA MUSIQUE: ZDAR FROM CASSIUS / LES NEGRESSES VERTES

Sunday, June 23, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

JESSE ROYAL / KABAKA PYRAMID / MAX GLAZER

Sunday, June 23, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Von King Park
670 Lafayette Ave, Brooklyn, NY 11216

~~~

JAPANESE BREAKFAST / HATCHIE / HOUSE OF NOD

Monday, June 24, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ALVVAYS/ THE COURTNEYS / ELLIS

In association with the Consulate General of Canada
Wednesday, June 26, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BOOT CAMP BBQ: BLACK MOON AND SMIF N WESSUN

Thursday, June 27, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

YOUNG M.A/ FUNK FLEX

Friday, June 28, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

JONATHAN MCREYNOLDS

Saturday, June 29, 2019
7:00 pm – 9:00 pm
Free
Betsy Head Park
Dumont Ave, Brooklyn, NY 11212

~~~

BUIKA / A-WA / BLICK BASSY / DJ TARA

Sunday, June 30, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MIGHTY SPARROW / CASYM STEEL ORCHESTRA

Friday, July 5, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11413

~~~

RALPH MCDANIELS SOUL & FUNK JAM FT. BLUE MAGIC AND DJ HOLLYWOOD

Saturday, July 6, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
SummerStage, Springfield Park
Springfield Park, Queens, NY 11414

~~~

TABOU COMBO / LAKOU MIZIK/ DJ SABINE BLAIZIN

Sunday, July 7, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Springfield Park
Springfield Park, Queens, NY 11415

~~~

MR EAZI / EFYA / BLINKY BILL / DJ MAHOGANY

Sunday, July 7, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

XIMENA SARIÑANA/ ILE / NATHY PELUSO

In association with LAMC
Wednesday, July 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

ATERCIOPELADOS / DIAMANTE ELÉCTRICO / DJ DAYANSITA

In association with LAMC
Thursday, July 11, 2019
7:00 pm – 9:00 pm
Free
SummerStage, Queensbridge Park
Queensbridge Park, Long Island City, NY 11101

~~~

A PALO SECO

In association with LAMC
Friday, July 12, 2019
7:00 pm – 9:00 pm
Free
Queensbridge Park
Vernon Blvd, Long Island City, NY 11101

~~~

LEÓN GIECO / KEVIN JOHANSEN / EL MATÓ A UN POLICÍA MOTORIZADO / SILVINA MORENO / JUAN INGARAMO

In association with Cosquin Rock and LAMC
Saturday, July 13, 2019
5:00 pm – 9:00 pm (Doors open 4:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11103

~~~

20TH ANNIVERSARY LATIN GRAMMY’S CELEBRATION

In association with LAMC
Saturday, July 13, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

AVERY*SUNSHINE

Sunday, July 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Queensbridge Park
Queensbridge Park, Long Island City, NY 11104

~~~

FAMILY DAY: RAILROAD EARTH / RANKY TANKY

Sunday, July 14, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MERCE CUNNINGHAM: SUMMERCOOL FEAT STEPHEN PETRONIO COMPANY/ MELISSA TOOGOOD / CALVIN ROYAL III / A-Y/DANCERS WITH GUEST CURATION BY CATHERINE THARIN

In Association with the Cunningham Centennial Celebrations
Wednesday, July 17, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CUNNINGHAM DANCE WORKSHOP

Wednesday, July 17, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LISA LISA / COVER GIRLS / DJ LUCY EUCLID / VINNIE MEDUGNO (HOST)

Thursday, July 18, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

JODY WATLEY / MOBILE MONDAYS!

Friday, July 19, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

ANA TIJOUX / L’UNICORNS / DJ SHAME HOSTED BY JEN AND MAGIE

In Association with La Isla Bonita
Saturday, July 20, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
Staten Island, NY 10310

~~~

FORCE MDS AND U.M.C’S WITH RED ALERT / DJ XCEL & DJ THRILLA HOSTED BY TARIQ

Sunday, July 21, 2019
4:00 pm – 7:00 pm (Doors open 3:00 pm)
Free
Corporal Thompson Park
166 Broadway, 1347, Staten Island, NY 10310

~~~

KURT VILE AND THE VIOLATORS WITH DINOSAUR JR. AND CATE LE BON

Produced by The Bowery Presents
Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

GRAND WIZZARD THEODORE & UPTOWN VINYL SUPREME W/ DJ PERLY, THE B.O.O.M. (BRONX ORGANIC ORCHESTRA MELINATED), AND THE BOOGIE DOWN ALL-STARS

Thursday, July 25, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

LALO RODRIGUEZ / LOS HERMANOS MORENO / DJ LUCHO

Friday, July 26, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

FELA! THE CONCERT

Friday, July 26, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Coney Island
Ford Amphitheater at Coney Island Boardwalk, Brooklyn, NY 11224

~~~

SLICK RICK / DJ CHUCK CHILLOUT

Saturday, July 27, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Soundview Park, The Bronx, 10473

~~~

ALCEU VALENÇA / CORDEL DO FOGO ENCANTADO / LABAQ / DJ GRACE KELLY

In Association with Brasil Summerfest
Saturday, July 27, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

BRAZIL: THE TRANSFORMING POWER OF MUSIC TO OVERCOME TIMES OF CRISIS

Saturday, July 27, 2019
4:00 pm – 5:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE TEDSMOOTH OLDSCHOOL JAM: FREESTYLE EDITION WITH CYNTHIA, LISETTE MELENDEZ, GEORGE LAMOND / DJS EDDIE B SWIFT, G-BO THE PRO, BREAKBEAT LOU & TEDSMOOTH/ HOSTED BY MASTER Z

Sunday, July 28, 2019
6:00 pm – 9:00 pm
Free
Soundview Park
The Bronx, NY 10473

~~~

MAGIC SYSTEM / SMARTY / SELMA UAMUSSE / DJ BIRANE

Sunday, July 28, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

RAY DE LA PAZ / EDGAR JOEL AND ANTHONY COLON / DJ KAMALA

Wednesday, July 31, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

YOUTH MATINEE: FELA! THE CONCERT

Wednesday, July 31, 2019
11:00 am – 12:00 pm (Doors open 10:00 am)
Free
SummerStage, Central Park
Rumsey Playfield, E 71st St, New York, NY 10021

~~~

FELA! THE CONCERT

Wednesday, July 31, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

SAMINI / EFYA

Thursday, August 1, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

GARIFUNA COLLECTIVE/ WABAFU GARIFUNA DANCE THEATER

Friday, August 2, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

EPMD 30TH ANNIVERSARY “UNFINISHED BUSINESS” / FUNK FLEX B-DAY CELEBRATION

Saturday, August 3, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Crotona Park
1700 Crotona Ave, The Bronx, 10457

~~~

TAIWANESE WAVES: WAN FANG / TIZZY BAC / A BAO / 9M88

Saturday, August 3, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CORINNE BAILEY RAE / JOSE JAMES/ DJ NATASHA DIGGS FROM SOUL IN THE HORN

Sunday, August 4, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

WHY AREN’T THERE MORE WOMEN ON FESTIVAL STAGES?

Sunday, August 4, 2019
5:00 pm – 6:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

GUSTER WITH RUBBLEBUCKET

Produced by The Bowery Presents
Thursday, August 8, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

CRUMB/ PHONY PPL / PURR

In Association with DoNYC
Thursday, August 8, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

ELISA MONTE DANCE

Friday, August 9, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

VP RECORDS 40TH ANNIVERSARY: ELEPHANT MAN / JUNIOR REID / ESTELLE / RAGING FYAH

Saturday, August 10, 2019
6:00 pm – 10:00 pm (Doors open 5:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

MOUNTAIN GOATS

Saturday, August 10, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

LILA DOWNS / LIDO PIMIENTA / DJ RIPLEY

Sunday, August 11, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

EDDIE PALMIERI / BABY POWER / DJ SONNI

Sunday, August 11, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
East River Park
FDR Dr., Manhattan, New York, NY 10009

~~~

OMAR / NAKHANE / DJ WILDCAT

Wednesday, August 14, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

THE CLARK CENTER 60TH ANNIVERSARY TRIBUTE: GEORGE FAISON UNIVERSAL DANCE EXPERIENCE / 5PLUS ENSEMBLE / DYANE HARVEY-SALAAM / JUEL D. LANE / AMY HALL GARNER DANCES / HSA DANCE ENSEMBLE

In Association with El Barrio ArtSpace
Thursday, August 15, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

BLACK WOODSTOCK 50TH ANNIVERSARY: IGMAR THOMAS / TALIB KWELI / KEYON HARROLD & SPECIAL GUESTS

In association with Moon31 / Future Sounds
Saturday, August 17, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

SELENA FOR SANCTUARY: CUCO / AMBAR LUCID / DJ SVANI & THE SANTUARIO HOUSE BAND WITH MUSIC DIRECTION BY ADRIAN QUESADA

Sunday, August 18, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

LA SONORA PONCEÑA / JOSE “EL CANARIO” ALBERTO / DJ LUCHO

Sunday, August 18, 2019
Free
Coney Island
3052 W 21st St, Brooklyn, NY 11224

~~~

THE WAILERS’ JULIAN JUNIOR MARVIN / DJ QUEEN MAJESTY

In Association with DoNYC
Sunday, August 18, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

CARNIVAL OF THE ANIMALS (WORK-IN-PROGRESS EXCERPT) WITH WENDY WHELAN AND MARC BAMUTHI JOSEPH/ FILM – RESTLESS CREATURE: “WENDY WHELAN”

Wednesday, August 21, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

THE ART OF THE TRANSITION: A CONVERSATION ON NEXT STEPS

Wednesday, August 21, 2019
6:00 pm – 7:00 pm
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

HARLEM 100: MWENSO AND THE SHAKES / BRIANNA THOMAS / VUYO SOTASHE / SPECIAL GUEST FRED WESLEY / JAZZMOBILE PRESENTS: WINARD HARPER & JELI POSSE

Friday, August 23, 2019
7:00 pm – 9:00 pm (Doors open 6:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

DEE DEE BRIDGEWATER / RAVI COLTRANE / QUIANA LYNELL / RECLAMATION: CAMILLE THURMAN, NIKARA WARREN AND BRANDEE YOUNGER

Saturday, August 24, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Marcus Garvey Park
18 Mt. Morris Park West, New York, NY 10027

~~~

LA INDIA / CIMAFUNK / DJ SONNI

Sunday, August 25, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

CARL ALLEN’S ART BLAKEY TRIBUTE / GEORGE COLEMAN TRIO / FRED HERSCH / LAKECIA BENJAMIN

Sunday, August 25, 2019
3:00 pm – 7:00 pm (Doors open 2:00 pm)
Free
Tompkins Square Park
E 10th St, New York, NY 10009

~~~

THE ORIGINALS

Tuesday, August 27, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Free
SummerStage, Central Park
Rumsey Playfield, Manhattan

~~~

KING GIZZARD AND THE LIZARD WIZARD

Produced by The Bowery Presents
Wednesday, August 28, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

TASH SULTANA

Produced by The Bowery Presents
Wednesday, September 4, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE GROWLERS

Produced by The Bowery Presents
Saturday, September 14, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

MARINA – LOVE + FEAR TOUR

Produced by The Bowery Presents
Monday, September 16, 2019
7:00 pm – 10:00 pm (Doors open 6:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

BLOC PARTY PERFORMING SILENT ALARM

Produced by The Bowery Presents
Friday, September 20, 2019
8:00 pm – 10:00 pm (Doors open 7:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

THE B-52S WITH VERY SPECIAL GUESTS OMD AND BERLIN

Produced by The Bowery Presents
Tuesday, September 24, 2019
6:00 pm – 9:00 pm (Doors open 5:00 pm)
Priced Tickets
Central Park
Rumsey Playfield, Manhattan 10021

~~~

City Parks Foundation’s 30TH ANNIVERSARY GALA

Thursday, September 26, 2019
Priced Tickets
6:30 pm – 10:00 pm
Rumsey Playfield, Central Park

Sep
28
Sat
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Sep 28 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Sep
29
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Sep 29 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Sep
30
Mon
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Sep 30 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
6
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Oct 6 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
16
Wed
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Oct 16 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Oct
20
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Oct 20 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
10
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 10 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
17
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 17 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
18
Mon
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 18 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Nov
24
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Nov 24 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
7
Sat
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 7 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
8
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 8 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
13
Fri
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 13 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
14
Sat
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 14 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess

Dec
15
Sun
2019
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater
Dec 15 all-day
Works & Process, the Performing Arts Series at the Guggenheim, Announces Fall 2019 Season @ The Solomon R. Guggenheim Museum, Peter B Lewis Theater | New York | New York | United States

Works & Process, the Performing Arts Series at the
Guggenheim, Announces Fall 2019 Season

September 5, 2019

Highlights

New commissions by Machine Dazzle and Caroline ShawRotunda performances by Dance Theatre of Harlem, Roomful of Teeth, and Caleb Teicher and Ben FoldsTheatrical first looks at Joe Iconis, Theresa Rebeck, and Erica Schmidt featuring Peter DinklageDance previews featuring Alvin Ailey American Dance Theater, Ballet West, National Ballet of Canada, and Washington BalletBehind-the-scenes glimpses of the Metropolitan Opera’s Akhnaten and Porgy and Bess

“An exceptional opportunity to understand something of the creative process.” ­­­­­­-The New York Times

Works & Process at the Guggenheim is pleased to announce its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright­-designed Peter B. Lewis Theater is the venue for seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark space celebrating 60 years as an architectural icon.Additional information is available at worksandprocess.org.

Audience members are invited to cocktail hour, from 5:30 to 7:30 pm, at the The Wright restaurant and artist receptions in the rotunda following most evening programs.

Works & Process lead funding is provided by the the Ford Foundation,Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Fall 2019 Season Schedule

WORKS & PROCESS COMMISSION
Treasure by Machine Dazzle
Thursday-Saturday, September 5-7, 7:30 pm
Distant dreams come full circle in this Works & Process commission ofmultidisciplinary artist and maximalist Machine Dazzle. Undressing layers of his past to make sense of the present, Machine will introduce12 new looks alongside stories stitched together through song. Treasure is accompanied by music director Viva DeConcini and her band, and will premiere made-to-measure on the occasion of New York Fashion Week.

Treasure by Machine Dazzle is commissioned by Works & Process at the Guggenheim with support from Pomegranate Arts and a creative residency at LUMBERYARD.

THEATER
MCC Theater: Seared by Theresa Rebeck
Monday, September 9, 7:30 pm
Harry, a brilliant and hot-headed chef, scores a mention in a food magazine, and his business partner sees profits finally within reach.The only problem is Harry refuses to serve his masterpiece for the masses. Mix in a shrewd restaurant consultant and a waiter with dreams of his own and it all goes to hell in this hilarious and insightful new play that asks us to consider where art ends and commerce begins. Prior to its New York premiere at the MCC Theater, playwright Theresa Rebeck and director Moritz von Stuelpnagel take audiences into the kitchen of their fit-for-foodies comedy as cast members perform highlights.

DANCE* MUSIC
The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli
Sunday, September 15, 3 pm
Orpheus Alive retells the tragic myth of Orpheus, casting the titular characteras a woman; Eurydice, Orpheus’ fallen lover, as a man; and audience members as gods of the underworld who hold Orpheus’s fate in their hands. Choreographed by Robert Binet, Choreographic Associate of the National Ballet of Canada, and featuring a commissioned score by acclaimed composer Missy Mazzoli, Orpheus Alive is a story of love, loss, and an extraordinary artist facing the limits of his mortality. Company dancers and the Mivos Quartetperform excerpts, and dramaturg Rosamund Small moderates a discussion with Binet and Mazzoli about the creative process before the ballet’s world premiere in Toronto.

OPERA
The Metropolitan Opera: The Gershwins’ Porgy and Bess with Angel Blue, Camille A. Brown, Eric Owens, James Robinson, and Golda Schultz
Monday, September 16, 7:30 pm
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990in a production directed by James Robinson with choreography by Camille A. Brown in their company debuts. America’s “folk opera,” asdescribed in 1935 by its creators, tells the story of Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue, with an all-star ensemble that includes Golda Schultz. General Manager Peter Gelb moderates a discussion with the creative team while cast members presenthighlights from the upcoming production.

MUSICAL
The New Group: Cyrano by Erica Schmidt, with Peter Dinklage and Aaron Dessner
Saturday, September 28, 7:30 pm
Prior tothe New Group’s world premiere of Cyrano, director Erica Schmidt, actor Peter Dinklage, and composer Aaron Dessner illuminate the creative process behind the new adaptation of the classic tale Cyrano de Bergerac by Edmond Rostand. Schmidt’s Cyrano is a proud man who, believing himself unlovable, agrees to woo the woman he loves on behalf of someone else. With a charged contemporary immediacy to the dialogue, Cyrano is an enduring story about heartbroken yearning, and features haunting music by Aaron Dessner and Bryce Dessner of the National, lyrics by Matt Berninger of the National and Carin Besser, and choreography by Jeff and Rick Kuperman.

DANCE
Ballet West: Balanchine’s Ballets Russes “The Song of the Nightingale” and “Apollo”
Sunday, September 29, 3 and 7:30 pm
With sets and costumes designed by Henri Matisse, The Song of the Nightingale (Le chant du rossignol) is a tale about a mysterious songbird who cures an ailing Chinese emperor. Created by George Balanchine in 1925 when he was only 21 years old, The Song of the Nightingale was his firstpartnership with composer Igor Stravinsky, leading to a 46-year friendship that resulted in some of the greatest ballets of the twentieth century. This production marks its US premiere and designates Ballet West as the second company in the world to present this important reconstruction by Millicent Hodson and Kenneth Archer. Prior to the work’s October premiere in Salt Lake City, Ballets Russes expert Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University, moderates a discussion with Hodson, Archer, Ballet West Artistic DirectorAdam Sklute, and Balanchine Trust repetiteur Victoria Simon on Balanchine’s development as a choreographer, the influence of Asian art on Matisse, and ethnic representation in the twenty-first century. The discussion will be accompanied by excerpts performed by Ballet West dancers. Simon will restage the 1928 Balanchine-Stravinsky collaboration Apollo, including the original birthing scene and final ascent to Mount Olympus.

WORKS & PROCESS ROTUNDA PROJECT
Dance Theatre of Harlem at 50
Monday, September 30, 6:30 and 8:30 pm
Founded in 1969, the Dance Theatre of Harlem made its 1971 official New York debut in the rotunda with a performance that included founder Arthur Mitchell’s Tones.To celebrate the Guggenheim building’s 60th and Dance Theatre of Harlem’s 50th anniversaries, Works & Process will present a Rotunda Project with the Dance Theatre of Harlem. The company will pay tribute to its history in a restaging of Tones, with music by Tania León, and other works from their repertoire.

Floor Seating: $100/$95
Ramp Standing: $60/$55

Lead funding provided by the Ford Foundation, Stavros Niarchos Foundation, and the National Endowment for the Arts.

DANCE
The Washington Ballet: NEXTsteps
John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa
Sunday, October 6, 3 and 7:30 pm
Artistic director Julie Kent, a champion of new choreography, discusses upcoming world premiere works by choreographers John Heginbotham, Jessica Lang, and Annabelle Lopez Ochoa.Witness exclusive performance excerpts and a live rehearsal prior to the October 23 premiere in Washington, DC.

Lead sponsor Monica B. Voldstad.

OPERA
The Metropolitan Opera: Akhnaten by Philip Glass, with Anthony Roth Costanzo, Karen Kamensek, Phelim McDermott, and J’Nai Bridges
Wednesday, October 16, 7:30 pm
On May 6, 1984, the very first Works & Process program featured Philip Glass’s Akhnaten before its debut at New York City Opera. This fall, prior to itsMetropolitan Opera premiere, General Manager Peter Gelb moderates a discussion with the creative team and countertenor Anthony Roth Costanzo, who plays the title role of the revolutionary ancient Egyptian pharaoh. Highlights are performed by members of the cast. Originally presented in collaboration with Improbable by the LA Opera and English National Opera, this production received the 2017 Olivier Award for Best New Opera Production.

MUSICAL
Two River Theater: Love in Hate Nation by Joe Iconis, with John Simpkins
Sunday, October 20, 7:30 pm
Writer Joe Iconis and director John Simpkins discuss the turbulent rock romance, Love in Hate Nation, set in a 1960s juvenile hall, and cast membersperform highlights prior to its world premiere at the Two River Theater with moderator Laura Heywood. Classic girl group, Wall of Sound-style vocal harmonies meet punk rock spirit in this rebellious and romantic new musical that uses classic “bad girl” movies as the inspiration for the story of young people caught between eras of a changing America. Sixteen-year old Susannah Son is carted off to the National Reformatory for Girls to get her head put on straight. There she meets the aggressively incorrigible Sheila Nail, and a relationship forms which leads to an all-out “revolution in the institution” as they attempt to break out of the boxes society has created around them.

DANCE
Dance Lab New York and Joyce Theater Foundation Lab Cycle: Female Choreographers of Color in Ballet
Sunday, November 10, 7:30 pm
For one night only, see the culmination of Dance Lab New York and Joyce Theater Foundation’s partnership promoting and advancing female choreographers of color in ballet. Provided with a stipend, studio time at the Joyce’s Artist Residency Center, professional dancers, a studio supervisor, and administrative support, choreographers Margarita Armas, Amy Hall Garner, Micaela Taylor, and Preeti Vasudevan explored the classical, neoclassical, and contemporary ballet idioms. Lourdes Lopez, Artistic Director, Miami City Ballet, moderates the discussion with Dance Lab New York founder, Josh Prince, and the four choreographers.

Lead sponsor Stephen Kroll Reidy

DANCE * MUSIC
Brian Brooks Moving Company: Immersive Technology
Sunday, November 17, 7:30 pm
Brian Brooks, choreographer and Mellon Creative Research Fellow at the University of Washington’s Meany Center for the Performing Arts, and Michelle Witt, Executive and Artistic Director of the Meany Center, participate in a discussion moderated by Jacob’s Pillow Director Pamela Tatge. Prior to the performances’ premieres in 2020, see highlights from Brooks’s fellowship, where he explored dance in intimate physical and digital spaces and collaborated with Seattle-based physicists and virtual reality programmers.

DANCE
Alvin Ailey American Dance Theater: New Work
Monday, November 18, 7:30 pm
Preview a world premiere from Alvin Ailey American Dance Theater’s December season at New York City Center. Artistic Director Robert Battle and the choreographer participate in a moderated discussion and Ailey’s acclaimed dancers perform highlights.

DANCE
Merce Cunningham Centennial Celebration
Sunday and Monday, November 24 and 25, 7:30 pm
Dylan Crossman, a former member of Merce Cunningham Dance Company, curates a program celebrating the 100th birthday of modern dance legend Merce Cunningham. Fellow former company dancers, including Jamie Scott, perform duets examining Cunningham’s evolution over decades. A unique MinEvent (an uninterrupted sequence of excerpts of works by Cunningham) made for the Frank Lloyd Wright-designed theater at the Guggenheim including movements from Night of 100 Solos will be performed by dancers from A.I.M, Alvin Ailey American Dance Theater, Limón Dance Company, New York City Ballet, and more. Costumes by Reid Bartelme and Harriet Jung and music by John King complement the program. Andrea Weber moderates a discussion with former Cunningham dancers Kimberly Bartosik and Gus Solomons.

This program is presented courtesy of the Merce Cunningham Trust as part of the Cunningham Centennial celebrations. Choreography by Merce Cunningham © Merce Cunningham Trust. All rights reserved.

DANCE * MUSIC
Peter & the Wolf with Isaac Mizrahi
Saturday, December 7, 1, 2:30, and 4 pm
Sunday, December 8, 1:30* and 4 pm
Friday, December 13, 6:30 pm
Saturday, December 14, 1, 2:30 and 4 pm
Sunday, December 15, 2:30 and 4 pm
Isaac Mizrahi narrates and directs Sergei Prokofiev’s charming children’s classic. Ensemble Signal performs the music, and the cast, wearing costumes by Mizrahi, performs choreography by John Heginbotham, bringing the 30-minute story to life for the young and young at heart.

Premium front row seating for all performances $100/$95 members
General tickets $45/$40 members

*In partnership with the Guggenheim’s education department and Simon & Schuster Children’s Publishing, for the December 8, 1:30 pm program, two-time CaldecottMedal winning illustrator Chris Raschka, will read from his illustrated telling of Peter & The Wolf at 1:30 pm, followed by the performance starting at 2:30pm. Tickets for this special event are $100/$95 member and include a signed copy of Chris Raschka’s Peter & the Wolf.

No matter how tall or small, everyone needs a ticket. Please enter via the ramp at the corner of 5th Ave & 88th St.

WORKS & PROCESS ROTUNDA PARTY
Swing Dancing with Caleb Teicher, Ben Folds, and Eyal Vilner Big Band
Monday, December 9, 6:30-11 pm
Choreographer and dancer Caleb Teicher, musician Ben Folds, and friends come together for a special performance set in the Guggenheim rotunda. Accompanied by Eyal Vilner Big Band, Teicher will teach an introduction to swing dancing, followed by a party to put the moves in motion.

Lead sponsor First Republic Bank

6:30-11 pm:
VIP Cocktail Reception, Performance, and Dancing
VIP table for six: $5,000
Table for six: $3,000
VIP seated ticket: $500
Rotunda floor general seated ticket: $250

7:30-11 pm:
Performance, Drinks and Dancing
Ramp standing ticket: $75

MUSIC
Rotunda Holiday Concert with Roomful of Teeth and Caroline Shaw
Sunday and Monday, December 15 and 16, 7 pm
Celebrate the season with the joyous sounds of holiday music and a new Works & Process commission of composer Caroline Shaw. Roomful of Teeth perform as part of this beloved annual tradition in the museum’s iconic Frank Lloyd Wright-designed rotunda.

Floor seating: $60, $55 Friends of Works & Process and Guggenheim members
Ramp standing: $25, $20 Friends of Works & Process and Guggenheim members

Location:
Peter B. Lewis Theater
Solomon R. Guggenheim Museum
1071 Fifth Avenue at 89th Street
Subway: 4, 5, 6, or Q train to 86th Street
Bus: M1, M2, M3, or M4 bus on Madison or Fifth Avenue

Tickets:
$45, $40 members (unless otherwise noted)
$10 student rush tickets one hour before performance, based on availability
(for students under 30 with valid ID)
Priority ticket access and preferred seat selection starts July 22 for $500+ Friends of Works & Process and Guggenheim members at the Associate level and above.

General ticketing starts July 29.

For more information, call 212 758 0024 or 212 423 3587, Mon-Fri, 1-5 pm, or visit worksandprocess.org.

guggenheim.org/social
#WorksandProcess