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Oct
18
Fri
2019
All Hallows Eve: A Wild, Eclectic Horror Musical with Puppets @ The Connelly Theater
Oct 18 @ 8:00 pm – Nov 2 @ 8:00 pm

All Hallows Eve: A Wild, Eclectic Horror Musical with Puppets

October 18 – November 2, 2019

At the The Connelly Theater
220 E 4th St

A wild, horror musical journey across the grey veil on a Halloween night, testing a sister’s and brother’s love against the forces of true evil, with book, lyrics and puppet design by Martin P. Robinson (Little Shop of Horrors; “Sesame Street”) and music by Paul Rudolph (Emmy Award-winning composer, “Sesame Street”, “GLANK”).
Mr. Robinson directs a cast of ten from the casts of “Sesame Street,” Avenue Q and “Little Shop…” and other iconic productions, including Jennifer Barnhart* (Avenue Q, “Sesame Street,” “Julie’s Greenroom”), Tyler Bunch* (“Julie’s Greenroom”, “The Tick”), Aubrey Clinedinst (Dario Fo, The Swedish Cottage Marionette Theatre), Austin Michael Costello (“Sesame Street”), Cedwan Hooks (Award-winning puppet designer); Haley Jenkins (“Sesame Street”, The Pee-Wee Herman Show), Kathleen Kim (“A Beautiful Day in the Neighborhood” with Tom Hanks, “Sesame Street”), Marca Leigh* (“The Muppets”), Spencer Lott (“A Beautiful Day in the Neighborhood” with Tom Hanks, “Sesame Street”), and Kaitee Yaeko Tredway (Avenue Q).

Eve and Evan are twins roped into yet another desperately dull Halloween by their parents. Managing to break free, they maraud, pumpkin-smash and toilet-paper, inadvertently crossing the thin line between worlds on this night of all nights. They enter a house and meet a demoness who has been lying in wait for just such a pair. A harrowing cat-and-mouse game ensues with the stakes being nothing less than their immortal souls. All Hallows Eve is a tale wrapped up in horror, comedy, and blood…and definitely not for young children.

Producers: Martin P. Robinson, Annie Evans and Jean Marie Keevins; Scenic Designers: Christopher Swader and Justin Swader; Lighting Designer: Alex Jainchill; Choreographer: Kaitee Yaeko Tredway; Public Relations: Paul Siebold/Off Off PR.

Tickets are: $30. For more information, visit AllHallowsEveMusical.com.

The runtime is approximately 80 minutes with no intermission.

Sixteen performances will be staged from October 18-November 2nd, 2019 on the following schedule: Wednesdays-Fridays at 8:00 p.m.; Saturdays at 7:00 p.m. & 10:00 p.m.; Sundays at 3:00 p.m.; plus, Monday, October 21st at 7:00 p.m.

All Hallows Eve began as a twenty-minute Guest Artist Project for the 2013 National Puppetry Conference, followed by a first version of the entire piece during a two-week residency in February 2018, both at the O’Neill Theater Center and with the support of The Jim Henson Foundation.

Oct
19
Sat
2019
White Light Festival at Lincoln Center presents The Love Suicides at Sonezaki @ Rose Theater, Jazz at Lincoln Center's Frederick P Rose Hall
Oct 19 – Oct 23 all-day

Lincoln Center’s White Light Festival presents

Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki

October 19 – 22, 2019

The 2019 White Light Festival opens on Saturday, October 19 with Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki told through Japanese bunraku puppet theater in a contemporary interpretation directed by renowned artist Hiroshi Sugimoto. Incorporating music by Seiji Tsurusawa, designated by Japan as a Living National Treasure, and video by Tabaimo and Sugimoto, this U.S. production premiere is a bold staging of Chikamatsu Monzaemon’s classic 18th-century drama based upon actual events, and a rare opportunity to experience bunraku in New York City.

Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki
(U.S. production premiere)

Saturday, October 19, 2019 at 7:30 pm
Sunday, October 20, 2019 at 3:00 pm
Monday, October 21, 2019 at 7:30 pm
Tuesday, October 22, 2019 at 7:30 pm
Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall

Original text by Chikamatsu Monzaemon
Hiroshi Sugimoto, artistic director
Seiji Tsurusawa, composer and director
Tomogoro Yamamura, choreography
Tabaimo and Hiroshi Sugimoto, video
Cast: Rodayu Toyotake, Seiji Tsurusawa, Tamasuke Yoshida, and others
Performed in Japanese with English supertitles

Performance length: Two hours and 30 minutes, including intermission

At the turn of 18th-century Japan, a clerk and a courtesan committed suicide in the forest of Tenjin. The Love Suicides at Sonezaki, a tragic play based upon these actual events, was banned after its 1703 premiere for more than two centuries. For this U.S. production premiere, renowned artist Hiroshi Sugimoto presents a bold, contemporary interpretation of the classic drama using bunraku puppet theater with music by Seiji Tsurusawa, who has been designated by Japan as a Living National Treasure, and video by Tabaimo and Sugimoto. The puppets, imbued with life, captivate audiences with their lively movements rivaling the eloquence of actual human beings.

Presented in association with The Japan Foundation and Odawara Art Foundation. Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki is part of Japan 2019, a series of events highlighting Japanese arts and culture in the United States throughout 2019.

In cooperation with National Bunraku Theatre, BUNRAKU KYOKAI and Setagaya Arts Foundation/Setagaya Public Theatre.

Corporate support is provided by Mitsubishi Corporation (Americas), Mitsui & Co. (U.S.A.), Inc., Sumitomo Corporation of Americas, J.C.C. Fund, Japanese Chamber of Commerce and Industry of New York, and Nippon Steel & Sumitomo Metal U.S.A., Inc. Additional support is made possible in part by The Jim Henson Foundation.

Lincoln Center for the Performing Arts 2019 White Light Festival will run October 19 through November 24. For its tenth anniversary season, the multidisciplinary festival will feature events presented in eight venues across the city, including U.S. and New York premieres and the return of festival favorites.

“The resonance of the White Light Festival has only deepened during its first decade, as we have moved into far more challenging times here and around the world,” said Jane Moss, Ehrenkranz Artistic Director of Lincoln Center. “The Festival’s central theme, namely the singular capacity of artistic expression to illuminate what is inside ourselves and connect us to others, is more relevant than ever. This 10th anniversary edition spanning disparate countries, cultures, disciplines, and genres emphasizes that the elevation of the spirit the arts inspires uniquely unites us and expands who we are.”

Oct
26
Sat
2019
Fourth Annual World Culture Festival at the Metropolitan Museum of Art
Oct 26 all-day

Museum-wide Festival at The Met to Celebrate

Dance Traditions from Around the Globe

Fourth Annual World Culture Festival at the Metropolitan Museum of Art

Saturday, October 26, 2019

will offer performances, activities, and workshops for all ages

Visit as well this official page here…

On Saturday, October 26, The Metropolitan Museum of Art will host its fourth annual World Culture Festival, with this year’s events and activities centered on the theme of “Dance.” Workshops, performances, puppetry, art making, and more will explore how artists find inspiration and express themselves through movement, and participants of all ages will have the opportunity to experiment with motion. The festival is free with Museum admission, which is pay-as-you-wish for New York State residents as well as students from New Jersey and Connecticut.

“Each year, The Met’s World Culture Festival welcomes New Yorkers of all backgrounds to celebrate and share their traditions surrounded by inspiring works of art from across time and around the world,” said Sandra Jackson-Dumont, the Frederick P. and Sandra P. Rose Chairman of Education. “The universal power of movement is present in cultures all over the globe. We are excited about this year’s theme of ‘Dance’ and the lineup of incredible workshops, performances, and other experiences that bring art to life in new ways at The Met.”

Thunderbird American Indian Dancers—the longest-running Native American Dance Company in New York—will perform in the American Wing in observance of Native American Heritage Month; and the nation’s leading Latino dance organization, Ballet Hispánico, will host flamenco and salsa dancing workshops in recognition of Hispanic Heritage month. To celebrate Diwali, The Culture Tree will present a puppet show inspired by Krishna, one of the most widely revered and popular Indian gods. Award-winning movement artist and poet Jahra “Rager” Wasasala will perform God-House (bure kalou), a work that explores the vivid realms related to the artifacts in the exhibition Atea: Nature and Divinity in Polynesia.

World Culture Festival: Dance! is made possible in part by the E.H.A. Foundation and Tiger Baron Foundation. Additional support is provided by Jody and John Arnhold and Antique Tribal Art Dealers’ Association.

PERFORMANCES

Space is limited; first come, first served.

God-House (bure kalou) with Jahra “Rager” Wasasala

12–12:30 pm, 1–1:30 pm, 2–2:30 pm

Floor 1, Arts of Africa, Oceania, and the Americas, Gallery 359

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Puppet Show: The Colors of Krishna’s Love

1–1:30 pm, 2–2:30 pm, 3–3:30 pm

Floor 2, Asian Art, Gallery 206

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Thunderbird American Indian Dancers

2:30–3 pm, 3:30–4 pm, 4:30–5 pm

Floor 1, American Wing, Gallery 700

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ART ACTIVITIES AND GALLERY DEMONSTRATIONS

Meet artists and make art together inspired by The Met collection! Unless otherwise noted, activities are best for ages 3 and up.

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Tap Your Toes

Explore how to use your body as an instrument by turning your sneakers into tap shoes!

Ground floor, Carson Family Hall West, Uris Center for Education

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Reimagining Ancient Greek Prizes with Rose Nestler

Did you know that modern-day trophies are inspired by prizes for ancient Greek games? Make your own trophy with video artist Rose Nestler, who makes oversized, fabric reinterpretations of ancient Greek vessels.

Ground floor, Carson Family Hall West, Uris Center for Education

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Jingling Jewelry

Celebrate Diwali by making colorful, acoustic jewelry inspired by artworks in The Met collection.

Ground floor, Carson Family Hall East, Uris Center for Education

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Dancing with Degas (Best for ages 5 and up)

Connect science and art by building a basic motor to make a tiny dancer twirl.

Ground floor, Carson Family Hall East, Uris Center for Education

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Flamenco Dancing Workshop with Ballet Hispánico

1–1:30 pm (For all ages), 2–2:30 pm (Best for ages 13 and up)

Express yourself through the empowering dance style of flamenco.

Ground floor, Bonnie J. Sacerdote Lecture Hall, Uris Center for Education

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Salsa Dancing Workshop with Ballet Hispánico

3–3:30 pm (For all ages), 4–4:30 pm (Best for ages 13 and up)

Move to a fun, rhythmic salsa sequence with Ballet Hispánico.

Ground floor, Bonnie J. Sacerdote Lecture Hall, Uris Center for Education

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Dancing with Lights and Digital Art

Learn to code and construct wearable circuits, then create digital body sketches with STEM from Dance.

Ground floor, Studio, Uris Center for Education

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Capoeira Workshop

12–12:30 pm, 1–1:30 pm, 2–2:30 pm, 3–3:30 pm, 4–4:30 pm

Learn capoeira, an Afro-Brazilian art form that combines elements of dance, acrobatics, and music, with FICA New York.

Ground floor, Art Study, Uris Center for Education

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Every Body Dances

Let your body create its own story. Be inspired by works of art from The Met collection and learn basic dance movements and techniques with Infinity Dance Theater. All bodies are encouraged to participate.

Ground floor, Carroll Classroom, Uris Center for Education

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Wangechi Mutu: From Seat to Feet

Create animated figures using collage material inspired by The Façade Commission: Wangechi Mutu, The NewOnes, will free Us, and Mutu’s collages.

Floor 1, Modern and Contemporary, Gallery 399

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Drop-in Drawing with [email protected]

Sketch live dancers as they perform choreography that embodies power. Drawing demonstrations with teaching artists repeat every 30 minutes.

Floor 1, Egyptian Art, Gallery 131, The Temple of Dendur in The Sackler Wing

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STORYTELLING AND QUIET SPACES

Tot Spot (Best for ages 0–5)

Play and learn with books, blocks, and more; just for early learners.

Ground floor, Nolen Library, Uris Center for Education

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Storytime with Miss Nina (Best for ages 3 and up)

1–1:30 pm, 2–2:30 pm

“Rap, Rock & Read” during Miss Nina’s signature show! Clap, stomp, shake, dance, wiggle, and sing along during this interactive Storytime.

Ground floor, Nolen Library, Uris Center for Education

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The cafeteria on the ground floor will also celebrate World Culture Festival. A special menu is available for purchase.

Large-print and Braille activity schedules and assistive listening devices are available upon request. Sign Language interpretation is available free of charge by request with at least one week’s notice.

The event will also be featured on the Museum’s FacebookInstagram, and Twitter accounts using the hashtag #MetFest.

Oct
31
Thu
2019
43rd ANNUAL VILLAGE HALLOWEEN COSTUME BALL – 2019
Oct 31 all-day

Theater For The New City Holds Its

43rd ANNUAL VILLAGE HALLOWEEN COSTUME BALL

Thursday, October 31, 2019

Underground stars perform each year in TNC’s Halloween Cabarets.
Guests will see and be seen and celebrate the Night of Nights.
Celebrants will sink fangs into Halloween delicacies in The Witches’ Cauldron

October 31, 2019 at Theater for the New City (TNC) ,
155 First Avenue (at E. 10th St.)
and the block of E. 10th St. between 1st and 2nd Avenues
(presented by Theater for the New City)
Outdoor entertainment 4:00 pm to 7:00 pm; doors open 7:30 pm

Outdoors: free; no dress requirement.
Indoors: $20; costume or formal wear required.
Info/tickets: (212) 254-1109, www.theaterforthenewcity.net

NEW YORK — Nonstop theater, a costume competition and ballroom dancing will bewitch the East Village October 31 in the Village Halloween Costume Ball, which is presented annually by Theater for the New City (TNC), 155 First Avenue. This unique festival continues as a grand coming-together for real witches, everyday New Yorkers and artists alike. An explosive fall tradition, it is always held on the actual night of Halloween and celebrates artistic creation and fertilization.

The one-night fiesta takes over all four of TNC’s theater spaces, plus its lobby and the block of East Tenth Street between First and Second Avenues. Customarily over 1,500 wildly-clad celebrants gather for big-band dancing, dining, showing off costumes and viewing acts from the cutting-edge of Cabaret and Theater. Admission is $20; costume or formal wear is required. Once inside, everything is free except food and drink, which are graveyard dirt-cheap. Doors open at 7:30 PM and indoor entertainment begins at 8:00 PM. There will be two continuously-running cabarets offering theater all evening.

Outdoor entertainment, free to the public, will start at 4:00 PM, including R&B and Dixieland bands, fire eaters, jugglers, storyweavers and stilt dancers, all free to the public and a gift from TNC to its neighborhood. Attractions will include the three piece band, “Fiddler and the Crossroads” with Greg Holt (a Blues Hall of Fame fiddler), Charlie Giordano (accordion player for Bruce Springsteen) and Roger Stoltz (suitcase drums). They will perform Cajun original music and Cajun-American versions of works by Johnny Cash, Elvis Presley, Bob Dylan and others. Also featured will be Star 69 (an R&B band led by Rob Varcony), Matt Angel, Joe Bendik, George Bellici, Urgent Music Unit and Michael David Gordon Band (classic pop rock songs). Emcee is Mary Tierney. Outdoor performances culminate in “The Red and Black Masque,” an annual Medieval ritual show written by Arthur Sainer, scored by David Tice and directed by Crystal Field which is performed each year by torchlight at 7:00 PM.

Indoors, a list of cutting-edge performers of many disciplines will provide entertainment. Penny Arcade and COBU (an all-women Taiko dance and drum group) head the list of over 70 acts that will appear.

The first floor Cabaret will offer performances by Melanie Maria Goodreaux, Carol Tandava (belly dance), Von Duvis Dance Collective, Richard West, juggler John Grimaldi, Ben Harburg and Friends, Bina Sharif, Lissa Moira Scream Contest, Peter DiZozza, The Wycherly Sisters, Wise Guise and Alessandra Belloni. TNC’s Street Theater Company will perform an excerpt from “No Brainer or Solution to Parasites,” in which The Keepers of the Pot sing while a real estate magnate from a TV reality show builds a wall and gets stuck in it. Performers will include Mark Marcante, Cheryl Gadsden, Terry Lee King, Crystal Field and T. Scott Lilly.

The Womb Room on the lower leverl will host performances by Kitch, Eve Packer, Lei Zhou, Dr. Sue, Lorcan Otway, Loretta Auditorium, Joe Bendick, Stan Baker, Jennifer Blowdryer, Ellen Steier, The Amazing Amy, Jiggers Is King, Dawoud Kringle (sitar) and Ian Gordon. Emcee is Barbara Kahn.

Other performers will include Katherine Adamenko, Amazing Amy (contortionist), Georgio Handman, Elizabeth Ruf, Margo Lee Sherman, Richard Weber, Natasha Velez and Michael Vazquez.

The large Johnson Theater becomes a ballroom with Big Band dance orchestras beginning at 9:00 PM. Music will be supplied by Art Lillard’s Heavenly Big Swing Band and Latin band Maquina Mono. There will also be aerial dance by Constellation Moving Company.

The House of Horrors, designed and run by “Zen,” is in the theater’s lower level. Revelers will be put through a maze and duly horrified.

Laraine Goodman and The Mad Tappers will tap dance their way through the lobby.

At the Champagne Bar, libations will be served by vampires who will awaken periodically for the task.

Scattered through the event will be stilt dancers, jugglers, fire-eaters, Vaudeville playlets, Burlesque and Hellsouls. Portions of the lobby will be set aside for Astrology/Numerology readings. Phyllis Yampolsky will throw the I-Ching. Fortune Telling is by Penny Diara. Videos are by Terry Ferrari. Rocco (a Frank Sinatra impersonator) will croon “Songs Sinatra sang.”

With its Witches’ Cauldron, the event can justifiably claim to have downtown’s most sensational Halloween cafe with a variety of American and international delicacies available at peoples’ prices. Holiday dishes are contributed by neighboring East Village restaurants, some with celebrity chefs. You can gobble couscous from a coffin lid beginning at 7:30 pm while enjoying spine-tingling performances by performance artists, songwriters, poets and variety artists including Arthur Abrams, Norman Savitt, Richard West and Susan Mitchell, The Head Peddlers and Sarah Lilly. The space is designed by Susan Hemley and Desiree Conston with lighting design by Alexander Bartenieff. Emcee is Elizabeth Ruf.

The entire facility will be elaborately rendered for Halloween, featuring intricate and massive environments by leading theatrical scenarists, sculptors, and artists including Lytza Colon, Walter Gurbo and Kanako Nagayama. Costume design is by Susan Hemley. Audiences will pass through walls decorated by 17 muralists. Lighting design is by Alexander Bartenieff, Matt Angel and Bruce Kraemer.

Since its beginning in 1977, TNC’s Halloween extravaganza has been a point of origin for many of the City’s most original entertainers. Six full-length plays have grown out of playlets written for the fest and it is probable that the theatrical movement in Performance Art began there. It has been a launching pad for such formative artists as Paul Zaloom, Alice Farley, Bloolips, The Red Mole, Penny Arcade, Basil Twist and Alien Comic Tom Murrin. Each year, many acts, skits, sketches, and skadoodles go on to become the basis of larger theater works. It is also interesting to note that TNC originated the Village Halloween Parade as part of its annual Halloween Ball. The procession wound its way through the Village from TNC’s second home at the corner of Jane and West Streets to Washington Square Park. Now the Village Halloween Costume Ball takes up every available inch (both floors) of TNC’s multi-theater complex at 155 First Avenue (the former First Avenue Retail Market building) and adjoining outdoor spaces.

The annual costume judging begins at midnight with the “Monsters and Miracles Costume Parade,” as all revelers are invited to march past a panel of celebrity judges including Tom Attea, Andrea Fulton, Chino Garcia, John Gilman, Robert Heide, John Jiler, Phoebe Legere, Eduardo Machado, Miguel Maldonado, Rome Neal, Lorcan Otway, Bina Sharif, Sabura Rashid, Ramiro Sandoval, Misha Shulman and David Willinger. Winners will receive one-year passes to TNC and a bottle of Moet and Chandon champagne. Attendees will be judged in such categories as “Most Trumped-Up,” “Most Vaped,” “Most Over the Rainbow,” “Most Whistle-Blown,” “Most Anti-Oxidant,” “Most Opioid,” “Most Organic,” “Most Climate Changed,” Most Impeached,” “Most Corrupt,” “Most Toxic,” “Most Faked News,” “Most Genital-Snatched” “Most Zan-Tacked.”

Theater for the New City is located at 155 First Avenue, at the corner of East Tenth Street. Reservations are strongly recommended. The TNC box office number is (212) 254-1109. Buy online at www.theaterforthenewcity.net.

Nov
1
Fri
2019
Aesop’s Fables at the New Victory Theater @ New Victory Theater
Nov 1 @ 7:00 pm – Nov 3 @ 5:00 pm

Aesop’s Fables at the New Victory Theater

November 1 – 3, 2019

At the New Victory Theater
209 W 42nd Street

When Aesop escapes his master and embarks on a journey to Mount Olympus, he learns some very valuable lessons, like “where there’s a will there’s a way” and “look before you leap!” You’ll happily keep your eyes wide and your ears open to take in the colorful costumes, enthralling dance and spirited sounds of South Africa in this vibrant opera by the incomparable Isango Ensemble. Sung through in English and a mix of South African languages with a soaring live score of marimba music, sound advice sure sounds sunny in AESOP’S FABLES.

Aesop’s Fables has a running time of 70 minutes with no intermission, and is recommended for ages 7 and up.

Performances:
Friday, 11/1 at 7pm
Saturday, 11/2 at 2pm / 5pm
Sunday, 11/3 at 12pm / 5pm

Nov
7
Thu
2019
Lincoln Center’s 2019 White Light Festival presents Richard III @ Gerald W Lynch Theater
Nov 7 – Nov 23 all-day

Lincoln Center’s 2019 White Light Festival presents Richard III

November 7 – 23, 2019

Gerald W Lynch Theater
524 W 59th St

The darker side of human nature is on display in DruidShakespeare: Richard III, a chilling story of power and ambition in a wickedly comic production from Ireland’s Druid theater company and director Garry Hynes. The production stars Aaron Monaghan, who appeared as Estragon in Druid’s acclaimed Waiting for Godot in the 2018 White Light Festival.

Shakespeare depicts one of the world’s greatest villains in Richard III, a chilling and darkly comic story of power and ambition. Richard, Duke of Gloucester, portrayed by Aaron Monaghan, sets about bending the world to his own desires, vanquishing his better angels in pursuit of the crown. The Bard’s ruthless monarch resonates through the ages in this award-winning production from Ireland’s Druid theater company and Tony Award-winning director Garry Hynes. A continuation of the company’s exploration of Shakespeare’s kings, the production reunites the creative team and members of the Druid ensemble behind the celebrated DruidShakespeare: Richard II, Henry IV (Pts. 1 & 2) and Henry V, which played Lincoln Center in 2015. Druid’s acclaimed run of Waiting for Godot, also directed by Hynes and starring Monaghan as Estragon, was featured in the 2018 White Light Festival.

DruidShakespeare:Richard III (U.S. production premiere)
Thursday, November 7, 2019 at 7:00 pm (preview performance)
Friday, November 8, 2019 at 7:00 pm (preview performance)
Saturday, November 9, 2019 at 7:00 pm
Sunday, November 10, 2019 at 3:00 pm
Tuesday, November 12, 2019 at 7:00 pm
Wednesday, November 13, 2019 at 7:00 pm
Thursday, November 14, 2019 at 7:00 pm
Friday, November 15, 2019 at 7:00 pm
Saturday, November 16, 2019 at 2:00 and 7:00 pm
Sunday, November 17, 2019 at 3:00 pm
Tuesday, November 19, 2019 at 7:00 pm
Wednesday, November 20, 2019 at 7:00 pm
Thursday, November 21, 2019 at 7:00 pm
Friday, November 22, 2019 at 7:00 pm
Saturday, November 23, 2019 at 2:00 pm
Gerald W. Lynch Theater at John Jay College

Directed by Garry Hynes
Produced by Druid
Starring Aaron Monaghan as Richard III
Francis O’Connor, set and costume design
James F. Ingalls, lighting design
Gregory Clarke, sound design
Conor Linehan, music
David Bolger, movement and fight choreography
Doreen McKenna, co-costume design

Performance length: Three hours, including intermission

There will be a pre-performance discussion with Garry Hynes and Robert Marx on Sunday, November 10 at 1:45 pm in the John Jay College Lecture Hall.

Lincoln Center for the Performing Arts 2019 White Light Festival will run October 19 through November 24. For its tenth anniversary season, the multidisciplinary festival will feature events presented in eight venues across the city, including U.S. and New York premieres and the return of festival favorites.

“The resonance of the White Light Festival has only deepened during its first decade, as we have moved into far more challenging times here and around the world,” said Jane Moss, Ehrenkranz Artistic Director of Lincoln Center. “The Festival’s central theme, namely the singular capacity of artistic expression to illuminate what is inside ourselves and connect us to others, is more relevant than ever. This 10th anniversary edition spanning disparate countries, cultures, disciplines, and genres emphasizes that the elevation of the spirit the arts inspires uniquely unites us and expands who we are.”