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At the Frick: Renaissance and Baroque Bronzes from the Hill Collection

Renaissance and Baroque Bronzes from the Hill Collection

At the Frick Collection

January 28, 2014 to June 15, 2014

 

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Giambologna (Douai, 1529–1608, Florence), Pacing Horse (detail), cast ca. 1573. Bronze, 25.1 x 28.7 cm. Collection Mr. and Mrs. J. Tomilson Hill. Photography Maggie Nimkin
Giambologna (Douai, 1529–1608, Florence), Pacing Horse (detail), cast ca. 1573. Bronze, 25.1 x 28.7 cm. Collection Mr. and Mrs. J. Tomilson Hill. Photography Maggie Nimkin

This winter and spring the Frick will present Renaissance and Baroque Bronzes from the Hill Collection, thirty-three statuettes that represent Janine and J. Tomilson Hill’s more than twenty-year engagement with the art form. The bronzes, which have never before been publicly shown as a group, date from the early sixteenth to the eighteenth centuries, from the inception of the genre in Renaissance Italy to its last flowering during the late Baroque period. Many of them were created by such renowned sculptors as Andrea Riccio, Giambologna, and Adriaen de Vries, while others were made by lesser-known northern artists such as Caspar Gras and Hans Reichle, whose talents have only recently begun to be appreciated.

In keeping with the residential character of the museum founded by Henry Clay Frick, where sculptures are situated among paintings and decorative art objects, the Hills’ bronzes will be shown alongside selected Old Master and contemporary works in displays that reflect the couple’s diverse holdings and refined collecting sensibilities.

Central to the exhibition, however, is the remarkable group of statuettes assembled over time by Janine and Tom Hill. Masters of the Italian, French, German, and Dutch schools are represented here. The subject matter varies as well, with depictions of pagan gods interspersed with those of Christ and images of secular rulers. Frick Curator Denise Allen characterizes these works as possessing “strength, quality, and diversity. . . .The emotional intensity of the bronze figures unites them, creating a vibrant whole that transcends the sum of its diverse parts.” Renaissance and Baroque Bronzes from the Hill Collection was organized by Allen, who also arranged the museum’s acclaimed monographic presentations on Antico (2012), Riccio (2008), and Willem van Tetrode (2003), as well as curating the Fitzwilliam (2005) and Quentin Collections (2004).

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